"manslaughter 2" held a film meeting. Experts from many fields praised the reality of the film.

1905 movie network news On December 15th, the film held a film conference of "Breaking the Dilemma of Life and Finding the True Meaning of Happiness", in which the film director and starring appeared and talked with many experts in the fields of criminology, sociology, law, medicine and culture to further interpret the film from the perspectives of realistic theme creation, emotional presentation and law.


At the film festival, director Dai Mo and starring Shawn shared their creative feelings with everyone. Starring Shawn said that in his mind, Lin Rilang’s key word is "fear". He was originally an ordinary person, but he became a great father because of his love for his children. I believe the film can make everyone feel "the preciousness of ordinary life".

Director Dai Mo said that "manslaughter 2" is actually a "malicious" film, and the opposition in the film directly hits people’s hearts, but it can make people feel warm and kind beyond "malicious".


Gao Xiaoli, director of the art criticism department of Wenyi Bao, praised the courage of the film creator. She said: There are fewer and fewer works that criticize realism. The film reflects social problems and calls for "truth, goodness and beauty" at the same time. It is a very profound film.

Sun Chengjian, a researcher and doctoral supervisor at the Film and Television Research Institute of the Chinese Academy of Art, said that if manslaughter 1 focuses on the external drama conflict, manslaughter 2 turns this external drama conflict into an internal drama conflict. Through the film, we see the interaction between a film text and a social text, and truly feel the connection between the film and reality.

Fan Yongge, deputy director of the Film and Television Literature Committee of the Chinese Writers Association, believes that it is very rare to have such a work with deep realism and dare to expose human nature in the current atmosphere of excessive entertainment of film and television works.


As an excellent realistic film, manslaughter 2 covers a wide range. At the scene, many experts from criminology, sociology, law and medical fields also expressed their views on the film.


Huang Dong, an associate professor at the School of Criminology, People’s Public Security University of China, interpreted the film from a criminological perspective. He said that all people are a combination of knowledge, emotion, will and action. Knowledge is cognition, emotion includes emotion and emotion, intention is will and quality, and action is behavior. Long-term emotional stimulation will lead to some criminal actions, while Lin Rilang’s action is


Fang Lijie, a professor at the School of Social and Population Studies of Renmin University of China, interprets the metaphor of fireflies in the film from a sociological perspective. She believes that fireflies represent small, helpless and glowing people, awaken everyone’s conscience and express hope.


Liu Geng, an attending physician in the emergency department of beijing jishuitan hospital, said that the daily display of the emergency room is very real, and the depiction of the rescue scene is also very in line with the actual situation. Dr. Dama played shows the true appearance of an emergency room doctor — — Empathy, but more professional, will empathize with patients from a rational point of view.


Yang Zhaoquan, director of the Beijing Lawyers Association, special member of the Legislative Advisory Committee of the Standing Committee of the Beijing Municipal People’s Congress, and tutor of master students in Tsinghua University Law School, thinks that the film has a deep thinking on social reality, and the abuse of public power in the film has caused Lin Rilang’s criminal behavior, which can also lead us to think about how to put an end to crimes from the social soil.


Ge Shuting, a senior lawyer in civil and commercial litigation, shared: From this film, we can see not only a mountain of father’s love, but also a law that is not wrapped up by feelings and public opinion. From the beginning of firefly to the end of firefly, it actually shows a kind of hope.