The three A-share indexes rose collectively in early trading. By midday, the Shanghai Composite Index rose by 0.33%, the Shenzhen Component Index rose by 0.56%, the Growth Enterprise Market Index rose by 0.67%, the Beizheng 50 Index fell by 0.01%, and the half-day turnover in Shanghai, Shenzhen and Beijing was 451.3 billion yuan, including 449.1 billion yuan in Shanghai and Shenzhen, 24.1 billion yuan more than the previous day. More than 3,400 stocks in the two cities rose.

　　In terms of plate theme, BC battery, non-ferrous metal and HJT battery were among the top gainers; Copper cable high-speed connection, virtual power plant and power sector were among the top losers.

　　On the disk, the concept of photovoltaic led the rise in early trading, with () and () daily limit and (), () and () daily limit exploding. The concept of non-ferrous metals continues to be active, () 3 consecutive boards, (), (), (), () daily limit. The power sector is divided, () 4 boards are connected, () and Huitian Thermal Power have daily limit, and (), () and () have fallen more than 6%. Copper cable high-speed connection plate continued to adjust, Dingtong Technology and () were among the top losers.

　　Plate analysis:

　　Straight flush hot stock list:

　　Transaction review:

　　At 09: 25, A shares opened, the Shanghai Composite Index opened 0.05% lower, the Shenzhen Component Index opened 0.04% lower and the Growth Enterprise Market Index opened 0.12% higher.

　　At 09:27, the concept of satellite navigation was active at the beginning, with (), () and () daily limit, while the aerospace, () and () groups opened higher.

　　At 09:28, the concept of virtual power plant fell at the beginning, and the new China-Hong Kong limit fell, followed by (), Jiuzhou Group, (), () and ().

　　At 09:30, the Growth Enterprise Market Index rose to 1%, the Shanghai Composite Index rose by 0.1%, and the Shenzhen Component Index rose by 0.44%.

　　At 09:32, the photovoltaic concept strengthened in early trading. Jingao Technology rose by more than 8%, Junda shares, (), () and Trina Solar rose by more than 5%, and () and () surged in succession.

　　At 09:33, the Hang Seng Technology Index fell more than 1%, and the Hang Seng Index is now down 0.92%.

　　At 09:36, power stocks were divided in early trading, and Huitian Thermal Power and Chendian International had daily limit. Jiuzhou Group fell more than 10%, while (), Leshan Power, () and () were lower.

　　At 09:38 BC, the concept of battery rose, Junda shares and Jing ‘ao Technology both had daily limit, and (), Aixu shares, Trina Solar, TCL Zhonghuan, Tongwei shares, Foster and other shares rose more than 5%.

　　At 09:43, the real estate development sector rebounded, with () daily limit, (), (), (), (), () and so on. In the news, Guangzhou and Shenzhen adjusted their housing credit policies on the same day.

　　At 09:45, the Hang Seng Technology Index fell more than 2%, and the Hang Seng Index is now down 1.35%.

　　09:47 The non-ferrous metal sector continued to be active, and Huayu Mining’s third board, (), Liyuan, (), () and () followed suit.

　　09:50 According to () iFinD data, according to the balance scale, up to now, the net inflow of southbound funds exceeds 3.1 billion yuan, of which the inflow of Hong Kong Stock Connect (Shanghai) exceeds 1.8 billion yuan, and the inflow of Hong Kong Stock Connect (Shenzhen) exceeds 1.3 billion yuan.

　　10:00 According to the straight flush iFinD data, the turnover of Shanghai and Shenzhen stock markets reached 229.7 billion yuan within half an hour of opening.

　　10:02 The International Monetary Fund (IMF) announced in Beijing on the 29th that it would raise its economic growth forecast of China by 0.4 percentage point to 5% this year. (Xinhua News Agency)

　　At 10: 02, the concept of HJT battery rose and strengthened, and many stocks, such as (), Liansheng Technology and Jingao Technology, went up, () and Trina Solar rose by over 10%, while (), Artes and () followed suit.

　　At 10:03, the concept of gold rose, and Hunan gold went up, (), Sheng Da resources, (), (), () and so on.

　　At 10:12, digital currency’s concept moved up, () pulled the board straight, and (), (), (), (), () and so on followed up.

　　At 10:17, the concept of photoresist rose, () rose more than 15%, and (), (), (), () and () followed.

　　At 10:22, power stocks bottomed out, and the international daily limit of Dongwang Times, Huitian Thermal Power and Chendian Power rose, followed by (), (), Guangxi Energy and ().

　　10:33 According to the straight flush iFinD data, according to the balance scale, up to now, the net inflow of southbound funds exceeds 5 billion yuan, of which the inflow of Hong Kong Stock Connect (Shanghai) exceeds 3 billion yuan, and the inflow of Hong Kong Stock Connect (Shenzhen) exceeds 2 billion yuan.

　　At 10:38, the concept of consumer electronics rose sharply, () rose by over 15%, followed by (), (), (), () and ().

　　At 11:05, the concept of small metal rose and strengthened. Both Xianglu Tungsten Industry and Zhangyuan Tungsten Industry had daily limit, and (), (), () and () followed suit.

　　News:

　　1. Lenovo Group: entered into a strategic cooperation framework agreement with Alat, a wholly-owned subsidiary of Saudi sovereign wealth fund PIF.

　　Lenovo Hong Kong Stock Exchange announced that it has entered into a strategic cooperation framework agreement with Alat, a wholly-owned subsidiary of Saudi sovereign wealth fund PIF. And entered into a bond subscription agreement, which will issue $2 billion of zero-coupon convertible bonds to the other party.

　　2, new energy heavy sudden photovoltaic industry chain strengthened across the board.

　　In early trading today, Longji Green Energy, Tongwei Shares, () and other new energy leading stocks performed very strongly. The market is discussing the supply-side reform of new energy. Its source is still a message from the South China Morning Post. It is reported that at the recent heavy meeting, the supply side released a major signal. On the one hand, it reminds us not to have an unbalanced upsurge in investment in the new energy industry. On the other hand, the new energy industry should not be the only focus, because the transformation of traditional industries can also develop "new productivity". Support for the "new three" products-electric vehicles, lithium-ion batteries and solar panels must "adapt" to local conditions. () It is believed that the current aesthetic preference of A shares can be divided into: supply contraction, demand growth rate greater than supply contraction, and demand does not increase. The midstream of new energy has become an alternative, because it is optimistic about the growth of demand, which is generally inseparable from new energy. Its demand is still above average, but it is not optimistic about the supply of new energy midstream. The supply-side reform of the "new three kinds" is coming, the valuation is rising, the supply-side clearing is effective, and the performance may be improved. (Broker China)

　　3. It broke the news that Baidu Wenxin Big Model 5.0 will be released in 2025.

　　It is learned from reliable insiders that Baidu will release a new generation of Wenxin Big Model 5.0 during the Baidu World Congress in 2025. At present, the latest version of Wenxin Big Model is version 4.0, which was released by Baidu founder Li Yanhong at the Baidu World Congress held in 2023. It has four core abilities: understanding, generation, logic and memory. According to Li Yanhong’s introduction when he released it in October 2023, Wenxin Big Model 4.0 was not inferior to GPT-4 after its release. Sina Technology has learned that the Baidu World Congress has been held in the second half of each year. According to this calculation, Wenxin Big Model 5.0 will meet with you in the second half of 2025. According to public information, the Baidu Wenxin model was first launched in 2019, released in version 3.0 in 2021 and upgraded to version 4.0 in 2023. (Sina Technology)

1905 movie network news On August 4th, the real-time box office of movies exceeded 1.6 billion, only one step away from the second box office in the history of animation in China! The film released a new poster to commemorate this moment.

Since the film Three Wan Li in Chang ‘an was released, relying on the characteristics of Chinese traditional aesthetics to describe the wonderful life of famous ancient poets in China, it has set off a "Tang poetry fever" and a large number of "broken circles" and has been widely praised.

Self-confidence and pride in Chinese traditional culture is the key to the box office and word-of-mouth harvest of Three Wan Li in Chang ‘an, which also encourages more animation film creators to participate in the creation of related themes.

　

Author | Amy Wang

In 2011, seven companies, including LeTV, Tencent, Excited, Thunder, Storm Video, PPTV and PPS, jointly established a movie network cinema distribution alliance, and put forward the concept of "unified online time, unified broadcast quality and unified tariff" to promote the pay-on-demand mode of film and television dramas. At that time, there were less than 7,000 screens in China cinemas, and the annual output of movies was about 500. Almost half of them could not escape the fate of a one-day tour. This cooperation is the first time that a long video has moved from behind the scenes to the stage. On the one hand, it officially opened the content payment, on the other hand, it publicly declared war on piracy.

　

Ten years later, in 2021, Ai Tengyou co-sponsored the 2021 online movie Spring Festival, announcing that two blockbuster films, The Diary of Making a Rich, directed by Tang Jili, starring Wang Baoqiang and directed and directed by The Legend of Shaolin Temple and Song Xiaobao, and starring Sha Yi, Mary and Zray, will land on three platforms on New Year’s Day in PVOD mode. At the same time, the three platforms also officially announced more than 40 new online movies and limited cinema blockbusters, and made concerted efforts to "online Spring Festival files".

At this time, although the number of cinemas in China is nearly 80,000, and the annual output of movies is 650, China has become the second largest ticket warehouse in the world, but the problems of difficult film arrangement, high screen vacancy rate and high operating cost of cinemas still exist.

In the past ten years, the Internet and content industry in China have developed at a high speed, and the copyright protection war has been fought round after round. Content payment has finally changed from bud to mainstream, and the dream of one person, one vote to order new cinema films on the Internet has blossomed.

　

After 2020, almost no one doubts about watching movies on the Internet (PVOD). Whether the epidemic is over or not, the pattern that cinemas are the only mainstream distribution channel for big movies is changing, along with the relationship between upstream studios and cinemas, and this change is permanent.

　

Streaming media is rapidly reshaping its right to speak in film distribution around the world, and the commercial achievements of subscription payment prove that the new era of film distribution is striding forward.

　

The "variables" of the Spring Festival file are still there, and both online and offline are prepared.

　

Filmmakers dare not relax until the last moment of the Spring Festival.

　

After the collective withdrawal of Spring Festival movies, the closure of cinemas and the strict attendance rate a few days before the release last year, the 2021 Spring Festival movie is always burdened with great uncertainty.

　

Compared with the movie box office, the bigger proposition is that during the whole Spring Festival holiday, all the people in China may have to cancel many offline entertainment arrangements because of the social restrictions of the epidemic. In response to the epidemic prevention policy, migrant workers who choose to spend the New Year on the spot have to endure the pain of not being reunited with their relatives … Whether this Spring Festival file can provide sufficient and rich entertainment content choices for the people of the whole country is a test for the entire film and television industry.

　

This year, seven blockbusters, including Detective Chinatown 3, Hi, Mom and A Writer’s Odyssey, competed for the Spring Festival stalls in the cinema, and The Legend of Shaolin Temple’s "Diary of Making a fortune" was first published online at the beginning of the year to wish the New Year.

　

However, cinemas are still full of variables during the Spring Festival holiday. For example, Beijing has just issued a regulation that the attendance rate of cinemas should not exceed 50% during the Spring Festival holiday, which may be followed by other cities in the country. In addition, the uncertainty of the outbreak may also make some cinemas in high-risk areas unable to open, which tests the temporary resilience of all parties concerned, such as cinemas, third-party ticketing platforms, marketers and filmmakers, and of course directly affects the itinerary of the audience. When offline viewing is affected, whether online viewing can withstand it is also a major test for Ai Tengyou.

　

Last year, online and offline, I was at a loss for emergencies. Except for a few films that choose to be distributed online, the new film resources of the whole Internet cinema obviously cannot meet the huge online demand. On many occasions this year, the relevant persons in charge of Aitengyou’s three platforms all said that the new anxiety in long video movies was not alleviated until The Eight Hundred went online. It can be seen that, first of all, for the entire film industry, online and offline have always been interdependent and complementary; Secondly, when the demand for online movies is increasing rapidly and Internet viewing is becoming more and more mainstream, the filmmakers who choose to distribute the films in different lines are also very courageous and business-minded.

　

In order to cope with the Spring Festival holiday full of variables but peak demand with offline, after more than a year of exploration and attempt, the strategies of iQiyi and other three platforms have become quite mature. In previous years, online Spring Festival files were mostly based on operations. This year, the three platforms took the initiative. In addition to selecting new online movies with quality and theme suitable for the Spring Festival broadcast in advance, they also actively cooperated with cinema blockbusters to conduct on-demand in PVOD mode. In an interview, Li Jinhan, the producer of the film "Diary of Making a fortune", said that it was decided to release it online in August and September last year. It can be seen that this year, filmmakers and video platforms have not been idle about how to solve the impact of objective factors on the film industry.

　

The Internet has come to this day because of its undifferentiated ability to provide diversified choices for diversified people. The arrival of watching new movies online is more powerful for those who have no choice.

　

First of all, the big screen can’t cover the audience who want to watch new movies so much, especially the users in low-tier cities and rural areas below the third line, who can order new movies on their mobile phones indiscriminately; Followed by art theaters or niche fans, who suffer from high reputation but low film scheduling, can now pay for their favorite art films to CALL. Of course, the online cinema market is far more than serving these segments. When more and more large new films are distributed online, buying tickets online to watch movies will also become the viewing choice of all online users.

　

Online and offline participation in the Spring Festival stalls will protect the important ceremony of watching new films and blockbusters during the Spring Festival, and also bring incremental distribution and consumption to China films.

　

Online movie distribution also requires differentiated operations.

　

Last year, Universal Trolls World Tour took the lead in the distribution of streaming media in PVOD mode, which caused a polarized discussion in the industry. At that time, cinemas and film industry had not clearly realized how much COVID-19 had dealt a blow to the film industry. Streaming media soon proved itself, and many shelved blockbusters came out, and many studios on the verge of bankruptcy came back to life. At the same time, big studios such as Universal and Warner did not fail. Nowadays, PVOD is popular all over the world, and more and more top filmmakers in Hollywood begin to embrace streaming media boldly.

　

Tang Jili, the director of The Legend of Shaolin Temple, is the first to test the PVOD mode in the Spring Festival. He thinks that the Internet and the cinema are equal media channels, and it is very good for people who make content to choose one more choice. He does not think that choosing the Internet is a compromise. He also stressed that in the future, movies will no longer be distinguished by their distribution channels. It can be seen that many top filmmakers are willing to choose the Internet, and many times the society’s perception of the separation between cinemas and streaming media is one-sided and extreme.

　

However, we have to admit that the PVOD VOD model is still in its early stage, and there are not many mature case references about what type, what theme, how many movies are suitable for the network, and how much commercial space it can have, which may be the main reason why many filmmakers hesitate. At present, the split box office record of online movies is 56 million for daoist magic (about 160 million for cinema box office). The fact is that the cost of many cinema blockbusters may exceed this number. How much box office volume can PVOD create? How much commercial value does it bring? Still waiting for more adventurous filmmakers to "eat crabs." I have to admit, how many treasures can be dug from the large plate with a unit price of over 100 million members, both for content and courage.

　

When iQiyi tried to release movies in PVOD mode, it simultaneously launched an online cinema brand "Super Cinema" in July last year. "Super Cinema" is not a "big network" as understood by the public, but an online cinema with more brand operation thinking opened in the content pay circuit. At present, it is only open to cinema-level movies that meet certain production standards and are willing to choose the network premiere.

　

Of course, the content in the "super cinema" is higher than that of ordinary online movies in terms of time and capital investment, and the income of movies released by online cinemas is naturally higher. At present, "Super Cinema" has launched the action comedy "Flying Dragon Crossing the River" directed by Jing Wong, the high-profile literary film "Spring Tide" and "Spring River Plumbing", the special effect IP blockbuster "Journey", the overseas animated film "Spongebob: Rescue Adventure" and other new films, and the addition of two comedy films created by a strong team in 2021 "Online Spring Festival File" also shows the strong tolerance and distribution potential of online cinemas.

　

Differentiated brand strategy is another difference in the trend of film online distribution mode. Last year, Iqiyi successfully built a mystery drama brand named "Mist Theater". Now when it comes to Mist, users naturally associate it with the best suspense drama series in China, and online cinemas need a strong brand to carry the brand precipitation with good reputation in the future. Unlike "Mist", online cinemas need more types of themes. At present, what video websites can do is to continuously accumulate and break through one theme type by one, and finally create a gold-lettered signboard for online distribution of movies. Iqiyi Super Cinema is a prototype, but it still has a long way to go.

　

Ten years of online cinema, the fight is technology and mode.

　

Moving cinemas to the Internet is not a practice after the COVID-19 epidemic, but an idea that has emerged since the advent of the Internet.

　

In fact, ten years ago, the movie channel Movie Network launched a single-point payment viewing mode very ahead of schedule. It was the first to test Jiang Wen’s "Let the Bullets Fly", which created 200,000 hits in 20 days at the price of 3-5 yuan on demand, bringing nearly one million online incomes. Unfortunately, at that time, the long video scuffle, the source of income was advertising, and online piracy was also very serious. Single-point payment was not promoted and gradually replaced by membership.

　

In addition to Internet companies, many cinemas have also tried to invest in research and development of apps and websites to build their own online viewing ports to meet the needs of viewers to watch movies at home, but in the end there were no successful cases due to immature technologies or models.

　

Gao Qunyao, who led Wanda’s acquisition of AMC and Legendary Pictures and served as the CEO of Wanda Culture Group’s international business department, witnessed the development of China’s film market in various stages as a professional manager, and saw the future trend of "cinema+mobile terminal" dual-line distribution. After leaving Wanda in 2017, he founded "mobile cinema". The main idea of the mobile cinema APP is to move the cinema screen to the mobile phone, and the audience needs to buy tickets to watch the movie. At present, the resources of new films in mobile cinemas are relatively limited, and large-scale resources are relatively scarce. After several years of development, users are still testing the water in small quantities.

　

Joy Media, which is deeply tied with directors such as Ning Hao, Xú Zhēng, Wong Kar-wai, Chen Kexin, Gu Changwei, Zhang Yibai, Zhang Yimou, etc., is also very optimistic about the online distribution market, and vigorously promotes its streaming media product Joy Premiere APP, mainly showing its films on demand, such as "Crazy Alien" Lost in Russia, etc., and has tried to pay for it on this platform. However, due to the limited amount of content produced by Huanxi Media and the unstable content supply, the current installed capacity of Huanxi Premiere APP is also hovering at a low level.

　

The exploration of online distribution in the whole film industry proves that strong technical ability and stable and sustainable business model are essential elements of online distribution, which requires long-term and large investment and has a high entry threshold. Nowadays, whether it is technical ability, capital strength, traffic base or payment mode, Aitengyou is the most likely platform to undertake the online distribution of movies.

　

In the past ten years, video platforms have seen their movie reserves go from zero to tens of thousands, and their membership has gone from zero to over 100 million, from movie broadcasting terminals to the creation of online movie commercial market, and then to the landing of online cinema brands such as "Super Cinema". On the one hand, it increases the film distribution mode and income increment for the upstream, and cultivates reserve talents for China films; on the other hand, it cultivates high-viscosity movie-watching users, and stimulates the arrival of the film and television focus era.

　

In addition, technically, the video platform is also ready to be put in place. First, with the popularity of smart TV screens, Chinese began to return to the living room, especially during the Spring Festival. It is a very common entertainment consumption scene for the whole family to get together and watch a family movie in the living room, and this scene can be easily realized by projection. Iqiyi simultaneously launched the VR version of the "Online Spring Festival File" film Adventure, which can meet the audience with higher immersive viewing needs. Second, the current video platform has been able to accurately distribute technology through technological innovations such as AI and big data, subdivide content and accurately find user groups, greatly improving the payment rate.

　

In the future, what will the cinema pattern become, and whether people still need cinemas? This is a question asked by more and more people after the epidemic began. Senior foreign research institutions and executives of film and television companies agree that cinemas will not die, but they really need to be changed. In the future, capital is likely to bet more and more on the investment of high-end cinemas with luxury facilities, because the viewing experience of these high-end cinemas in heavy industry movies can not be replaced by mobile phones and televisions.

　

In fact, this trend is very obvious in China. In the past few years, the box office figures and proportions of many special cinemas, including IMAX, Dolby Hall and China Giant Screen, have shown an upward trend. The core reason is that consumers are demanding more audio-visual experience and are willing to pay higher fares for such cinemas with better audio-visual effects. At the same time, those cinemas that don’t pay attention to service and pay attention to the broadcast quality and viewing environment are also scored low or even eliminated by more and more viewers.

　

Online viewing has become a long-standing choice for viewing consumption in the future. Under this general trend, film and television companies will pay more attention to online layout, while cinemas should change the mentality of "seller’s market" and focus on improving the offline viewing experience.

　

The reform and transformation of the film industry has always existed, and the Internet has only played an accelerating role. The offline distribution and online distribution of movies are parallel, and streaming media and cinemas explore and innovate their own service models, which is actually an inevitable result of the D2C era of content industry. Whether online cinema or physical cinema, in the face of a larger market, each has its own emphasis. Finding its own subdivided track and digging to the extreme should be the only way for the sound development of China film market.

　

·

　　BEIJING, Dec. 10 (Shang Qi) Today, the 2018 written examination for civil servants of central organs and their directly affiliated institutions will be held. More than 120 central authorities, their directly affiliated institutions and units managed with reference to the Civil Service Law participated in this national examination, and it is planned to recruit more than 28,000 people. In the end, 1,659,700 people passed the registration qualification examination, an increase of 173,400 compared with last year, and the ratio of the number of people who passed the qualification examination to the number of employment plans was 58: 1.

　　It is planned to recruit more than 28,000 people and nearly 1.66 million people passed the registration review.

　　At 9: 00 this morning, the 2018 written national examination will be held simultaneously in provincial capitals and individual large cities. More than 120 central authorities, their directly affiliated institutions and units managed according to the Civil Service Law participated in this national examination, and it is planned to recruit more than 28,000 people.

　　According to the statistics of the Ministry of Human Resources and Social Security, a total of 1,659,700 people finally passed the qualification examination of employers in the registration process, an increase of 173,400 compared with 1,486,300 last year, and the ratio of the number of qualified people to the number of employment plans was 58: 1.

　　However, the number of people who pass the registration is not the number of people who finally take the exam, because in recent years, there has been a phenomenon of "abandoning the exam" in the national examination.

　　Taking the 2017 national examination as an example, official data show that 1,486,300 people passed the qualification examination of the recruitment agency, 1,137,000 people paid for the written examination, and 984,000 people actually took the examination, with a reference rate of about 86.58%, which means that more than 500,000 candidates "abandoned the examination" last year.

　　China News Agency issued Meng Delong photo

　　What subjects should be tested in the written national examination?

　　According to the previously published recruitment announcement, this morning at 9:00— At 11:00, there will be an administrative professional ability test, and at 14:00— At 17:00, the application exam will be held.

　　In addition, in some positions, in addition to the public subject examination, the "2+X" examination mode is also implemented, that is, in addition to the administrative professional ability test and the application examination, candidates also need to take the professional subject examination or the foreign language proficiency test.

　　According to the recruitment announcement, those who apply for eight non-common language positions such as Japanese and French in the International Liaison Department of the Central Committee and the Central Compilation Bureau will first take the foreign language proficiency test on the afternoon of December 9.

　　In addition, those who apply for special professional positions in China Banking Regulatory Commission, China Securities Regulatory Commission and its dispatched institutions and people’s police positions in public security organs will take the professional subject examination on the afternoon of December 9, and their professional subject examination results will be announced together with the public subject examination results, and the comprehensive written test results will be synthesized according to the proportion of each.

　　Strict examination discipline, multi-sectoral crackdown on cheating

　　Every year, the national examination and examination discipline have been repeatedly emphasized by the government. On the eve of this national examination, the website of the National Civil Service Bureau issued a special reminder, expecting the majority of candidates who are interested in becoming civil servants to start from themselves and apply in good faith.

　　Before the exam, the National Civil Service Bureau suggested that candidates should strictly abide by the exam discipline, take no prohibited items, do nothing against discipline, take no chances, engage in fraud, properly protect their exam papers and answer information, and resolutely resist any ugly illegal acts such as cheating by any group and using various means. Don’t spread or disseminate test questions after the exam, and don’t participate in irresponsible comments on the Internet.

　　The National Civil Service Bureau also reminded candidates that on the day of the examination, the competent civil service department will closely monitor the examination room and the surrounding environment in conjunction with the public security organs and radio management departments to crack down on cheating in the examination.

　　In addition, the National Civil Service Bureau hopes that the majority of candidates, especially those who enter the post-interview stage, will not give up their interview qualifications and admission qualifications at will, so as not to miss the opportunity to realize their career ideals and affect the rights and interests of other candidates and the normal recruitment needs of recruitment agencies.

　　Check the results in the middle and late January next year

　　According to the recruitment announcement issued before, the Central Organization Department, Ministry of Human Resources and Social Security and the National Civil Service Bureau will study and determine the minimum qualified score line after the written examination of public subjects in the national examination today. There will be differences between the qualified scores of posts above the provincial level and those below the prefecture level.

　　In addition, positions in the western region and hard and remote areas, grass-roots positions and special professional positions, etc., will be given policy inclination when drawing the minimum qualified score line.

　　In the middle and late January of 2018, candidates can log on to the special website with their ID number and admission ticket number to inquire about the written test scores of public subjects, the minimum qualified scores and the list of interviewers.

　　After the written test results are announced, the central civil servant department will determine the proportion of interviewers according to the Recruitment Guide, and the specific interview time will be determined by the recruitment agency, generally before the end of March 2018. (End)

　　[Global Times reporter Chen Qianzhong Yuhua] Editor’s Note: On the evening of November 29th, Beijing time, at the 17th regular session of the UNESCO Intergovernmental Committee for the Protection of Intangible Cultural Heritage, China’s declared "China’s traditional tea-making skills and related customs" passed the evaluation and was included in the UNESCO representative list of human intangible cultural heritage. Human beings need harmonious coexistence and elegant and poetic habitation. China tea culture pays attention to "tea and the world", and its concept of "quietness and elegance" meets the needs of today’s world.

　　Non-legacy projects mainly come from four major tea areas.

　　"Traditional tea-making skills and related customs in China" refers to the knowledge, skills and practices related to tea garden management, tea picking, hand-made tea and tea drinking and sharing. Wang Fuzhou, vice president of the Chinese Academy of Art and director of the China Intangible Cultural Heritage Protection Center, told the Global Times reporter that the project included 44 small projects from 15 provinces (municipalities and autonomous regions) across the country. This declaration covers traditional tea-making techniques such as green tea, black tea, oolong tea, white tea, black tea, yellow tea, reprocessed tea, etc., and also includes related customs such as jingshan tea banquet and tea-driving field, which can be called the "largest volume" in all previous human heritage declaration projects in China. According to the local conditions, tea makers have developed more than 2,000 kinds of tea products with different colors, smells, tastes and shapes, using tools such as frying pan, bamboo plaque and baking cage, and using core techniques such as deactivating enzymes, suffocating yellow, piling, withering, fermenting and scenting.

　　The tea maker is withering the Fuding white tea.

　　Wang Fuzhou said that traditional tea-making techniques are closely related to geographical location and natural environment, mainly concentrated in the four major tea-making areas of Jiangnan, Jiangbei, Southwest and South China, south of the Huaihe River in Qinling Mountains of China and east of the Qinghai-Tibet Plateau, including Zhejiang, Jiangsu, Jiangxi, Hunan, Anhui, Hubei, Henan, Shaanxi, Yunnan, Guizhou, Sichuan, Fujian, Guangdong, Guangxi and other provinces (cities, autonomous regions); Related customs are widely spread all over the country and shared by many ethnic groups.

　　A document submitted by the Ministry of Culture and Tourism to UNESCO states that tea is ubiquitous in Chinese’s daily life. People drink tea in homes, workplaces, teahouses, restaurants and temples by soaking and boiling. Tea is an important part of social activities and ceremonies such as weddings, apprentices and sacrifices.

　　As a member of this application project, Wang Fuzhou said that the selection of "China traditional tea-making skills and related customs" as this application project is due to the fact that tea has traditional skills, its geographical distribution is wide, its heritage types are rich, and it has the historical significance of East-West exchanges such as the ancient Silk Road and the ancient tea-horse road.

　　Yu Jinlong, a cultural scholar, told the Global Times reporter that the western lifestyle that consumes a lot and pays attention to material things is no longer suitable for human development. Humans need a richer spiritual life. The excellent Chinese traditional culture just meets human needs, and tea culture is an outstanding representative.

　　China tea is connected to the whole world.

　　Zou Jiaju, president of Yunnan Tea Industry Association, told Global Times that China was the first country in the world to grow and make tea. Tea has been associated with Chinese for thousands of years, which has been verified in many historical materials, including Shennong Herbal Classic, the first drug monograph written by China, Tea Classic written by Lu Yu in the Tang Dynasty, and Su Shi, a great poet in the Song Dynasty, who discussed drinking tea in his poems. Tea has a long history in China, which is not only deeply integrated into people’s daily life, but also becomes an important carrier for inheriting Chinese culture.

　　Jiang Song, a cultural scholar, told reporters that the earliest tea was basically drunk by some nobles and elites. Subsequently, the development and popularization of tea drinking culture was related to religion. It can be found from some literature records that Taoism and Buddhism were very popular in the Southern and Northern Dynasties. Taoists and monks all followed a way of clearing up after noon and drinking tea to refresh their minds. In the Tang Dynasty, Buddhism spread widely, and ordinary people began to drink tea, forming a mass tea drinking culture, which reached its peak in the Song Dynasty. From Zhang Zeduan’s "The Riverside Scene at Qingming Festival", we can see many teahouses. In the Northern Song Dynasty, drinking tea in teahouses has become an important social way. In the Song Dynasty, there was an elegant way of fighting tea, in which the tea-fighters took their own good tea, cooked it in turn, and evaluated each other to compete. Tea fighting includes tea fighting products, tea fighting orders and tea games. One of the links of tea fighting is to crush the tea cake, then fry it, and then use boiling water to break the tea with special tools. The longer the foam lasts, the better the tea is.

　　Zheng Changling, deputy director and secretary-general of China Folk Culture Innovation and Development Center, told the Global Times reporter that Chinese discovered tea very early and widely produced and served life, and left behind the ancient tea-horse road, which is talked about by people today.

　　As a famous commercial road, such as Silk Road, Maritime Silk Road and Wanli Tea Ceremony, the ancient tea-horse road is a link between different regions, different nationalities and different cultures, a historical witness to the prosperity of the Chinese nation and an important symbol of Chinese civilization.

　　The Yunnan-Tibet line and Sichuan-Tibet line of the original Tea-Horse Road crossed the Hengduan Mountain and Qinghai-Tibet Plateau for the first time in the form of an expedition road, extended to the western regions, and joined the Silk Road. The phenomenon of multicultural interaction and exchange formed on the Tea-Horse Road, which became one of the powerful arteries connecting ancient and modern China with the outside world. More than 20 ethnic groups, including Han, Tibetan, Dai, Yi and Naxi, inhabit the area radiated by the Tea-Horse Ancient Road, which is a collection of Central Plains culture, Tibetan traditional culture, Baye culture, fire culture, Dongba culture and other cultural forms, and Tibetan Buddhism and Zen have also left different degrees of influence.

　　Yu Jinlong, a cultural scholar, told the Global Times reporter that as the origin of tea trees and the birthplace of tea culture, China’s tea, tea trees and tea culture spread all over the world with the development of cultural exchanges and commercial trade. It was introduced to Japan, Korea, South Asia, Southeast Asia and other regions in the Tang Dynasty, and spread to European countries, the American continent, the Middle East, Russia and other regions in the 16th century. Under the direct influence of China’s tea culture, Britain, Japan, South Korea, Russia and Morocco have also formed their own tea culture. Among them, Japanese tea ceremony and Korean tea ceremony are most influenced by Chinese tea culture.

　　Jiang Song said that in the Tang Dynasty, when Jian Zhen traveled eastward, Buddhism brought tea to Japan, which changed the Japanese way of life. Among the western countries, tea has had the most influence on Britain since the 17th century, which in turn has affected the whole of Europe. In the 18th and 19th centuries, the whole national economy of Britain was affected by the tea trade. According to statistics, 10% of British national income was used to buy tea, which became an important luxury. Some elites thought that the British people were too extravagant in tea consumption, so they suggested that they reduce drinking tea. However, drinking tea has become a way of life, not only because the British diet with more meat needs tea to improve digestion, but also because drinking afternoon tea has become a social way, and then a large number of teahouses have appeared. At that time, a housewife was not a qualified housewife if she could not cook tea for her guests.

　　By the 19th century, Britain’s national economy was closely related to two kinds of plants, one was to spend silver to buy China tea, the other was to control the huge trade deficit, and began to grow poppies in India to make opium, and later even launched two opium wars.

　　In order to narrow the huge trade deficit, Britain decided to steal tea seeds. In the late Qing Dynasty, Robert Fujun, a British plant hunter, smuggled China tea trees to India. At present, tea is grown in at least 50 countries around the world, and more than 120 countries import tea from China. The number of people who like tea in the world has exceeded 5 billion. It can be said that tea and tea culture originated in China have spread all over the world.

　　The closed-door policy was adopted in the late Qing Dynasty, and China’s tea-making technology and other related tea cultures began to lag behind Japan in terms of commercial marketing and communication. However, Chinese’s tea-growing technology and tea-making technology, which have been passed down for thousands of years, are profound and profound, and are still second to none today.

　　Non-genetic inheritor: Successful application for World Heritage is only the starting point.

　　Fan Shenghua, a provincial representative inheritor of the picking and production skills of the national intangible cultural heritage project "West Lake Longjing Tea", participated in this application. He told the Global Times reporter that the success of the application means heavier responsibility and better inheritance. After 48 years of frying tea, in order to pass on the "frying tea skills left by ancestors from generation to generation", Fan Shenghua began to go to surrounding schools and vocational skills training units to train the production skills of West Lake Longjing tea in 2015. "It takes patience to stir-fry tea, which is what I often emphasize with young people." Yang Feng, the inheritor of the intangible cultural heritage of Zhenghe white tea making skills, once participated in the production of Bai Mudan, the national gift of the G20 Hangzhou Summit in 2016. He told the Global Times reporter that the success of this application is enough to prove the value of China tea and tea making skills, which is an important example of Chinese culture’s self-confidence.

　　Successful application for the World Heritage is conducive to promoting the sustainable and healthy development of the global tea industry, deepening the integration and mutual learning of tea culture, and letting more people know and love tea, enjoy the fragrance of tea and share a better life. At the same time, tea culture will have a far-reaching impact on moral cultivation and personality shaping. Promoting the exchange and mutual learning of world civilizations through the Silk Road will play an important role in the sustainable development of human society.

　　At present, Yang Feng’s tea factory cooperates with international organizations to provide a study tour mode of "labor for accommodation". Over the past few years, hundreds of volunteers from more than 10 countries have been attracted to live in tea factories and experience life with the workers. These volunteers have also brought their understanding and good memories of Zhenghe white tea to all corners of the country.

　　Yang Feng told the Global Times reporter, "The application for the World Heritage is only the starting point. We should focus on the quality of tea and cherish the value of the brand. With the country ‘ Belt and Road ’ The implementation of the initiative responds to the call for China culture to go abroad. I hope that international friends who love tea can walk into Chashan to learn about China’s tea culture and bring our tea, century-old tea taste and our customs to all parts of the world. " Zheng Changling told the Global Times reporter that through this application, we can not only see the profound tea culture in China, but also need to see the ideas, wisdom, experience, emotion and spirit of understanding nature and pursuing harmony with the natural society, promote the inheritance and spread of cultural heritage, promote the public’s Chinese cultural consciousness, and further establish cultural self-confidence with more concrete substantive connotations.

　　Culture makes the country prosperous and the nation strong. Without a high degree of cultural self-confidence and cultural prosperity, there would be no great rejuvenation of the Chinese nation. Building a strong socialist culture is an important task of building a strong socialist modernization country. How to understand the rich connotation of Socialism with Chinese characteristics culture? How to vigorously build a socialist cultural power in the new era? Several articles in this observation edition focus on these issues.

　　— — Editor

　　The core of building a cultural power is to develop Socialism with Chinese characteristics culture (People’s Watch)

　　She Shuanghao

　　Culture is the spiritual achievement accumulated by a country and a nation in the long-term development history, and it is the spiritual lifeline that keeps the country and the nation alive and the spiritual home of the people. In contemporary China, the core of building a socialist cultural power is to develop Socialism with Chinese characteristics culture and constantly create new glories of Chinese culture. Socialism with Chinese characteristics culture is the spiritual force to promote the development of Socialism with Chinese characteristics. The report of the 19th National Congress of the Communist Party of China pointed out: "Socialism with Chinese characteristics culture originated from the excellent traditional Chinese culture nurtured by the 5,000-year-old civilization history of the Chinese nation, and was cast in the revolutionary culture and advanced socialist culture created by the party leading the people in revolution, construction and reform, and rooted in the great practice of Socialism with Chinese characteristics." This important thesis scientifically defines Socialism with Chinese characteristics culture and profoundly reveals the essential attribute of Socialism with Chinese characteristics culture. To build a strong socialist cultural country, we need to understand and grasp Socialism with Chinese characteristics culture from multiple dimensions.

　　Socialism with Chinese characteristics culture highlights China characteristics.

　　Socialism with Chinese characteristics culture is the culture of China, with strong China characteristics, China style and China style. Its value subject is the people of the Communist Party of China (CPC) and China, its cultural content is the spiritual achievement created by the Communist Party of China (CPC) and the Chinese people, and it has a clear Chinese position. To develop Socialism with Chinese characteristics’s culture and build a socialist cultural power, we should highlight the characteristics of China and reflect the cultural ideas of the people of the Communist Party of China (CPC) and China.

　　Every culture has its own roots, and the roots of Socialism with Chinese characteristics culture are the excellent traditional Chinese culture nurtured by the Chinese nation in its history of more than 5,000 years. This is the gene of Socialism with Chinese characteristics culture, the fertile soil for nourishing Socialism with Chinese characteristics culture, and the characteristic and advantage of Socialism with Chinese characteristics culture. Chinese culture is the only uninterrupted ancient culture in the world. It has developed tenaciously with strong vitality for thousands of years, creating one glory after another in the history of human civilization. The Communist Party of China (CPC) is the inheritor and promoter of Chinese excellent traditional culture, and has always attached great importance to the role of Chinese excellent traditional culture. To build a strong socialist culture, we must actively activate the excellent Chinese traditional culture and make it the internal nourishment for the development of Socialism with Chinese characteristics culture. To achieve this, we need to attach great importance to the creative transformation and innovative development of Chinese excellent traditional culture. Socialism with Chinese characteristics culture was created by the Party leading the people in revolution, construction and reform, and rooted in the great practice of Socialism with Chinese characteristics. Socialism with Chinese characteristics culture is the embodiment of Socialism with Chinese characteristics Road, Socialism with Chinese characteristics Theory System and Socialism with Chinese characteristics System at the cultural level, showing the spirit of China, the value of China and the strength of China, and reflecting the ideological concept and moral norms of contemporary Chinese. This determines that the development of Socialism with Chinese characteristics culture must abandon the kind of "respecting foreign countries" and "taking foreign countries as beauty"The wrong concept of "only following the foreign countries".

　　Socialism with Chinese characteristics culture highlights the essence of socialism.

　　Socialism with Chinese characteristics culture is a socialist culture, not a culture of other natures, which is inherent in the cultural nature. Socialist culture is a more advanced cultural form than capitalist culture and feudal culture. To develop Socialism with Chinese characteristics culture and build a socialist cultural power, we must firmly grasp the essential attributes of socialism and constantly strengthen our cultural self-confidence.

　　Socialism with Chinese characteristics culture is cast in the revolutionary culture and advanced socialist culture created by the Party leading the people in revolution, construction and reform. Both revolutionary culture and advanced socialist culture belong to socialist culture, which is the spiritual achievement that the Communist Party of China (CPC) led the people of China to form and accumulate in the practice of revolution, construction and reform. At the same time, after creative transformation and innovative development, Chinese excellent traditional culture is also adapted to Socialism with Chinese characteristics. The nature of socialism determines that Socialism with Chinese characteristics culture always insists on serving the people and socialism, and it is a people-centered culture. The reason why Socialism with Chinese characteristics culture has always maintained its socialist nature is that it always adheres to the guidance of Marxism and represents the direction of advanced human culture. Therefore, to develop Socialism with Chinese characteristics culture and build a socialist cultural power, we must always adhere to the guidance of Marxism, which is the fundamental sign that Socialism with Chinese characteristics culture is different from other cultures. Without the guidance of Marxism and the nature of socialism, even if more cultural products are produced, it cannot be said that a socialist cultural power has been built.

　　Socialism with Chinese characteristics culture has practical spirit.

　　Socialism with Chinese characteristics culture is a vivid reflection of Socialism with Chinese characteristics’s great practice, and it is also the spiritual driving force to promote Socialism with Chinese characteristics’s great practice. According to the basic viewpoint of Marxism, social existence determines social consciousness, and social consciousness reacts on social existence. As a social consciousness, culture is a reflection of social existence in the final analysis. Socialism with Chinese characteristics culture, as a concept and spiritual thing, is in the final analysis a reflection of Socialism with Chinese characteristics’s great practice, which in turn reacts to Socialism with Chinese characteristics’s great practice. To develop Socialism with Chinese characteristics’s culture and build a socialist cultural power, we must firmly grasp its practical spirit, so that spiritual civilization and material civilization can develop in harmony.

　　Since the 18th National Congress of the Communist Party of China, with great political courage and strong responsibility, the CPC Central Committee with the Supreme Leader as the core has solved many problems that have been tried for a long time but not solved, and accomplished many major events that were tried but not done in the past, which has promoted historic changes in the cause of the party and the country, and the Chinese nation has ushered in a great leap from being rich to being strong. It is in the great development of Socialism with Chinese characteristics’s career that Socialism with Chinese characteristics culture has ushered in great development and prosperity; The great development and prosperity of Socialism with Chinese characteristics culture has promoted the great development of Socialism with Chinese characteristics. In the new era, to develop Socialism with Chinese characteristics’s culture and build a socialist cultural power, we should obtain a steady stream of power for cultural development from practice, and at the same time make cultural development an inexhaustible spiritual power for reform and development.

　　(The author is Dean of School of Marxism, Wuhan University, and a researcher at Socialism with Chinese characteristics Theoretical System Research Center, Hubei Province.)

　　Three Relationships Should Be Handled Scientifically in Building a Powerful Cultural Country (All Written by Everyone)

　　He xingliang

　　Building a strong socialist culture is the foothold of promoting the prosperity of socialist culture and the inherent requirement of realizing the great rejuvenation of the Chinese nation. To build a strong socialist cultural country, we need to deal with three kinds of relations in practice.

　　The first is the relationship between inheritance and innovation. Inheriting Chinese excellent traditional culture is the consensus of all walks of life at present. If the culture of a country or nation loses its tradition, it may become a vassal of other cultures, and it is impossible to have a position in the world. Many contents in Chinese excellent traditional culture have high scientific value, historical value and artistic value, and are the crystallization of Chinese wisdom for thousands of years. At present, the key to inheriting Chinese excellent traditional culture is to inherit and carry forward its rich and excellent philosophical thoughts, humanistic spirit, enlightenment thoughts and moral concepts. These are the soul and essence of Chinese excellent traditional culture, which have eternal value and have been handed down from generation to generation in history. In addition, we should inherit all kinds of excellent literary works, music, dance and drama.

　　On the basis of inheriting Chinese excellent traditional culture, we should also attach importance to cultural innovation. We often say "old country, new life". The so-called "old country and new life" is mainly embodied in respecting and carrying forward the tradition without following it, but adapting to the pace of the times and innovating traditional things. To build a strong socialist culture, we should also constantly bring forth the old and bring forth the new, thus enriching the content of Chinese culture. There are many ways of cultural innovation, one of which is the creative transformation and innovative development of Chinese excellent traditional culture. For example, Confucianism contains the humanistic spirit of people-oriented, the spirit of unremitting struggle for self-improvement, the patriotic spirit of loyalty to the country, and the spirit of unity of knowing and doing. For these spirits, we should carry out creative transformation and innovative development according to the requirements of the development of the times, and enrich the spiritual world of contemporary Chinese. We should also inject new factors into the ethics of Chinese excellent traditional culture to adapt it to modern society. Cultural innovation should also be based on today’s reality, adapt to the higher spiritual and cultural needs of the people in the new era, accelerate the development of cultural undertakings and cultural industries, and provide more excellent cultural products for the people.

　　The second is the relationship between bringing in and going out. Bringing in and going out are opposite and complementary, and they should develop in a balanced way. The purpose of introduction is to absorb the outstanding cultural achievements of all countries in the world and better develop Chinese culture; The purpose of going abroad is to let people all over the world know and understand Chinese culture and enhance its influence and appeal in the world. Comrade Supreme Leader emphasized that "civilizations are colorful because of communication, and civilizations are enriched because of mutual learning", and "we should all adopt the attitude of learning from and actively absorb the beneficial elements of various civilizations created by human society". Chinese culture emphasizes eclecticism and all rivers run into the sea. To build a strong socialist cultural country, it is necessary to introduce excellent cultural achievements from other countries and nations. It should be emphasized that the introduction of outstanding cultural achievements should not be swallowed up, let alone copied blindly, but should be reformed and innovated according to China’s national conditions to make it more suitable for China society.

　　To build a strong socialist cultural country, we should not only pay attention to importing, but also pay attention to going abroad. Only by making Chinese culture have an important influence in the world can China be regarded as a cultural power. Chinese excellent traditional culture has had a profound influence on many countries, including western countries. From the 17th century to the 18th century, some western missionaries translated and introduced some classic works of ancient China to European countries, which shocked the ideological circles of many European countries and formed an upsurge of worshipping China culture. The revolutionary culture and advanced socialist culture created by the Communist Party of China (CPC), who led the people of China after the founding of the People’s Republic of China, have become a powerful spiritual driving force for the development of China, and the spirit of China has attracted worldwide attention. Nowadays, people are more and more aware that Chinese culture contains important enlightenment to solve the problems faced by contemporary mankind. Therefore, Chinese culture is facing rare opportunities and broad space to go global. To promote Chinese culture to go abroad, first, it can increase the export of cultural products; Second, we can enlarge and strengthen the mainstream media, broaden the channels of communication and improve the communication power of Chinese culture; Third, we can strengthen foreign cultural exchanges; Fourth, it can support foreign Chinese education and Chinese culture education.

　　The third is the relationship between unity and diversity. The Chinese nation has formed a common spiritual home in the long-term historical development process, and worships the same mainstream values and ethics, which makes Chinese culture unified. But Chinese culture has the characteristics of diversity. As the saying goes: "A hundred miles of different winds, a thousand miles of different customs." China has a vast territory and many ethnic groups, and different ethnic groups and regions have their own cultural characteristics, which makes Chinese culture show diversity. The unity and diversity of culture are not simple opposites, but the relationship between generality and individuality. Cultural unity is a universal attribute of cultures of all ethnic groups and regions; Cultural diversity reflects the uniqueness of cultures of all ethnic groups and regions.

　　The key to enhancing cultural unity is to cultivate and practice socialist core values in the whole society. The socialist core values are the concentrated expression of contemporary China spirit, which embodies the common value pursuit of all the people. It is necessary to give play to the leading role of socialist core values in national education, the creation of spiritual civilization and the creation, production and dissemination of spiritual and cultural products, and integrate socialist core values into all aspects of social development. To protect cultural diversity, an important task is to protect and inherit the performing arts such as music, dance, drama, folk art, acrobatics and other handicrafts such as carving, embroidery, knitting and dyeing of all ethnic groups and regions, as well as to protect all kinds of life etiquette, New Year’s festivals and ethnic medicines.

　　(The author is a member of the Chinese Academy of Social Sciences and a counselor of the State Council)

　　The only way for the modern transformation of Chinese excellent traditional culture

　　"Two Innovations": the Scientific Policy of Building a Cultural Power (Seeking Truth from the Situation)

　　Li Zonggui

　　Contemporary China is striding forward on the road of socialist modernization. In the new journey of building a socialist modern power in an all-round way, how to make Chinese excellent traditional culture glow in the Spring Festival, help develop Socialism with Chinese characteristics culture and provide spiritual nourishment for building a spiritual home shared by the Chinese nation is a realistic problem to be solved urgently in building a socialist cultural power. In recent years, the Supreme Leader has clearly put forward and repeatedly stressed that it is necessary to promote the creative transformation and innovative development of Chinese excellent traditional culture. "Two Innovations" is the full expression of cultural self-confidence and self-consciousness, the basic principle and the only way to promote the transformation of Chinese excellent traditional culture from tradition to modernity, the scientific policy for us to treat Chinese excellent traditional culture correctly and build a socialist cultural power, and the important guarantee for creating new glory of Chinese culture.

　　Creative transformation and innovative development are the organic unity of inheritance and innovation. First of all, it emphasizes that Chinese excellent traditional culture has modern value and is a historical and cultural resource worthy of our serious exploration and vigorous promotion. Since the 18th National Congress of the Communist Party of China, the Supreme Leader has made many important expositions on the value of Chinese excellent traditional culture. He emphasized: "Chinese culture has a long history, accumulating the deepest spiritual pursuit of the Chinese nation, representing the unique spiritual identity of the Chinese nation, and providing rich nourishment for the endless development and growth of the Chinese nation." The report of the 19th National Congress of the Communist Party of China clearly pointed out that Socialism with Chinese characteristics culture originated from the excellent traditional Chinese culture nurtured by the 5,000-year civilization history of the Chinese nation, was cast in the revolutionary culture and advanced socialist culture created by the party leading the people in revolution, construction and reform, and was rooted in the great practice of Socialism with Chinese characteristics. This important thesis emphasizes that Socialism with Chinese characteristics culture originates from Chinese excellent traditional culture, which is a full affirmation of Chinese excellent traditional culture, a cultural consciousness of adhering to Chinese cultural position and inheriting Chinese context, and also the fundamental reason for us to promote the creative transformation and innovative development of Chinese excellent traditional culture.

　　Creative transformation and innovative development is a scientific attitude towards Chinese excellent traditional culture, which not only requires us to respect and inherit Chinese excellent traditional culture, but also is good at transforming and developing Chinese excellent traditional culture. Marxist philosophy tells us that dialectical negation is sublation, reservation, abandonment and transformation. For Chinese traditional culture, including the excellent traditional culture, it is obviously historical nihilism to completely deny it, but it will turn into revivalism to completely copy it. Promoting the creative transformation and innovative development of Chinese excellent traditional culture requires us to adhere to the guidance of Marxism, to carry forward the excellent cultural spirit that spans time and space, transcends the country, has eternal charm and has contemporary value under the guidance of the national spirit with patriotism as the core and the spirit of the times with reform and innovation as the core, so as to adapt Chinese excellent traditional culture to contemporary culture, coordinate with modern society and constantly glow with new vitality to nourish the spiritual world of contemporary Chinese. No matter from the theory of cultural development or from the practice of cultural development, the policy of "two innovations" is a strategic policy to treat Chinese excellent traditional culture scientifically and develop Socialism with Chinese characteristics culture under the new era conditions, and it is a transcendence and innovation of various traditional cultures in the past, which is of great significance to building a socialist cultural power.

　　To promote the creative transformation and innovative development of Chinese excellent traditional culture, the premise is to have an objective and rational value evaluation of Chinese excellent traditional culture. This kind of value evaluation should not only rely on sentiment, intuition and subjective feelings, but also form a scientific value evaluation standard according to the needs of Socialism with Chinese characteristics’s development in the new era and the great rejuvenation of the Chinese nation. The excellent Chinese traditional culture that we want to creatively transform and develop should be beneficial to governing the country, social development, moral construction, cultural identity, national unity, national rejuvenation and the development of world civilization. It is good to have some of these qualities, but it is precious to have only one. Among them, it includes core ideas, such as caring, attaching importance to people-oriented, keeping honesty, advocating justice, respecting harmony and seeking great harmony; It also includes Chinese traditional virtues, such as self-improvement, respect for career and happiness, helping the poor, being brave, filial piety and loving relatives; It also includes the Chinese humanistic spirit, such as the enlightenment thought of carrying Tao by literature and educating people by culture, the aesthetic pursuit of combining form and spirit with scene, and the life concept of frugality, neutrality and harmony.

　　Socialism with Chinese characteristics’s remarkable achievements since the reform and opening up cannot be separated from the encouragement of China spirit. In the new era, to develop Socialism with Chinese characteristics’s culture and build a socialist cultural power, we must further build the spirit of China and hold high the spirit of China. Promoting the creative transformation and innovative development of Chinese excellent traditional culture is an important way to build the spirit of China. As long as we adhere to the policy of "two innovations", we can constantly use the outstanding cultural achievements created by the Chinese nation to educate people with culture, provide spiritual guidance for the people, and provide spiritual impetus for the development of Socialism with Chinese characteristics.

　　(The author is a professor of philosophy at Sun Yat-sen University and a special researcher at Socialism with Chinese characteristics Thought Research Center, the supreme leader of Guangdong Province.)

　　Constantly create new glory of Chinese culture.

　　Grasp the basic requirements of developing Socialism with Chinese characteristics culture (seeking truth from the situation)

　　Gao changwu

　　The report of the 19th National Congress of the Communist Party of China pointed out: "To develop Socialism with Chinese characteristics culture is to take Marxism as a guide, adhere to the Chinese cultural stance, base on the reality of contemporary China and combine the conditions of the present era to develop a national, scientific and popular socialist culture facing modernization, the world and the future, and promote the coordinated development of socialist spiritual civilization and material civilization." This important exposition clarifies the basic requirements for developing Socialism with Chinese characteristics culture and building a socialist cultural power: taking Marxism as the guide, adhering to the position of Chinese culture, basing on the reality of contemporary China and combining the conditions of the present era. Only by thoroughly implementing these basic requirements can we promote the prosperity of socialist culture and build a strong socialist culture.

　　Guided by Marxism. Marxism creatively reveals the development law of human society, is a scientific world outlook and methodology, and is a powerful ideological weapon for people to know the world, grasp the law, pursue the truth and transform the world. Marxism is the fundamental guiding ideology for building the party and the country, and it is also the fundamental guiding ideology for promoting cultural construction. The report of the 19th National Congress of the Communist Party of China made strategic arrangements for promoting socialist cultural construction, including firmly grasping the leadership of ideological work, cultivating and practicing socialist core values, strengthening ideological and moral construction, prospering and developing socialist literature and art, and promoting the development of cultural undertakings and cultural industries. No matter what kind of work, we must always adhere to Marxism as the guidance. For example, if we want to firmly grasp the leadership of ideological work, we must consolidate the guiding position of Marxism in the ideological field, promote the modernization and popularization of Marxism in China, build a socialist ideology with strong cohesion and leading power, and unite all the people closely in ideals, beliefs, values and moral concepts. Practice has fully proved that only by adhering to the guidance of Marxism can cultural construction always maintain the correct direction and provide a strong spiritual force for the development of the cause of the party and the people. In the new era, to develop Socialism with Chinese characteristics culture and build a socialist cultural power, we must take a clear-cut stand on the fundamental issue of adhering to Marxism, and we must not waver at any time or under any circumstances. If we give up the guidance of Marxism, cultural construction will lose its direction and even go astray.

　　Stick to the position of Chinese culture. Socialism with Chinese characteristics culture is a culture with distinctive China characteristics, China style and China style. The reason for this is that it is deeply rooted in the rich and profound fertile soil of Chinese excellent traditional culture, deeply rooted in Socialism with Chinese characteristics’s great practice, and embodies a distinct Chinese cultural stand. Adhering to the position of Chinese culture is an inevitable requirement for the development of Socialism with Chinese characteristics culture, and it is also a fundamental requirement for Socialism with Chinese characteristics culture to gain a firm foothold and have important influence in the world cultural agitation. To adhere to the position of Chinese culture, we must first strengthen cultural self-confidence. Comrade Supreme Leader pointed out: "Cultural self-confidence is a more basic, deeper and more lasting force." Without firm cultural self-confidence, it is impossible to truly adhere to the position of Chinese culture. We should embody our firm cultural self-confidence and stick to the Chinese cultural stance in all aspects of building a socialist cultural power, and let the world know the cultural spirit, cultural pursuit and cultural responsibility of the Chinese nation.

　　Based on the reality of contemporary China. Contemporary China reality belongs to the category of objective reality and social existence, while Socialism with Chinese characteristics culture belongs to the category of subjective understanding and social consciousness. Marxism holds that social existence determines social consciousness. Therefore, the development of Socialism with Chinese characteristics culture must be based on the reality of contemporary China. Based on the reality of contemporary China, the key is to deeply understand that Socialism with Chinese characteristics has entered a new era. To develop Socialism with Chinese characteristics culture and build a socialist cultural power, we must base ourselves on the new era, a new historical orientation of China’s development, fully reflect the development of Socialism with Chinese characteristics in the new era, and strive to meet the higher requirements of the people in the new era for spiritual and cultural life. Based on the reality of contemporary China, through cultural construction, the world can better understand "developing China", "opening China" and "China contributing to human civilization".

　　Combined with the conditions of today’s times. In today’s era, the world is in a period of great development, great change and great adjustment, and world multipolarization, economic globalization, social informatization and cultural diversity are developing in depth. At the same time, the instability and uncertainty facing the world are increasingly prominent, and mankind faces many common challenges. As far as cultural development is concerned, all kinds of ideas and cultures in the world are stirring with each other, exchanges and encounters are more frequent, and the strategic position of culture in the competition of comprehensive national strength is further highlighted. However, some western developed countries use the long-standing advantage of cultural discourse power to infiltrate the developing countries in an attempt to maintain the old world cultural pattern through "cultural hegemonism". At the same time, scientific and technological progress and the rise of cultural industries have provided new opportunities for cultural development. To build a strong socialist cultural country, we must combine the current conditions of the times, profoundly grasp the cultural development trend, and make Socialism with Chinese characteristics culture always reflect the spirit and requirements of the times.

　　(Author: Central Party History and Literature Research Institute)

　　[Editor’s note]

　　How much do you know about the Spring Festival?

　　Standing at the beginning of 2019, which is changing at a second speed, we ask an "old-fashioned" question. As many people know, there are various manners and customs in the Spring Festival, such as endless dinners and parties that can’t be pushed off, and the resulting nostalgia and social embarrassment … …

　　But you know what? The Spring Festival is not only a festival, but also contains social changes, economic development, and every tiny change you bring. On February 4, 2019, Zhongxin.com launched a series of planning "Do you know the Spring Festival", trying to outline the great changes in China’s social landscape through the little changes you and I have made in the Spring Festival.

　　Chinanews. com client Beijing, February 10 th:[Do you know the Spring Festival] Mother’s suitcase is packed tightly before leaving: What’s in your suitcase when you return during the Spring Festival?

　　Author Park Lina

　　Probably many people are not very good at discovering the details of life, which makes every little detail found precious.

　　Since a long vacation, some netizens posted that Weibo "spit" that his mother had brought him too many things, only to let everyone find that "it turns out that all mothers are the same". One after another, the "suitcase competition of love" was staged repeatedly.

　　There is a kind of love called "opening the suitcase"

　　What was stuffed in your suitcase when you left home?

　　Jiaozi wrapped by mother, steamed steamed bread by father and smoked pig’s trotters by grandma … … There is hardly any suitcase that can leave the house with a gap.

　　From the northeast to Beijing, more than 1000 kilometers, Xiao Nan has left home to go to college for the eighth year. In fact, according to the speed of today’s high-speed rail, such a distance is not far. But this can’t stop Xiao Nan’s mother from trying to fill her daughter’s box at the end of each holiday.

　　"At first, I felt quite happy. After all, everything in Beijing is not the taste of home." At that time, many things that she brought back to Beijing were requested by herself, and later she found that the situation was "out of control".

　　From half a catty of pine nuts to three catties of pine nuts, from a bag of kimchi to a box of kimchi, from a bag of northeast rice to a sack of northeast rice … … This advanced process took Xiao Nan’s mother less than two years. "I dare not say what I want now, otherwise the suitcase may be heavier than me … … Oh, even one year, the suitcase couldn’t fit, and my mother sent it to me. As a result, it was too solid, and the box ‘ Fried ’ … "

　　Sisi, who has been married, has also had some headaches because of the suitcase filled by her parents. "If my husband didn’t hold it, I would definitely not be able to carry it. I once weighed it, and a box was stuffed almost forty or fifty kilograms!"

　　After marriage, Sisi can’t return to her family until the second day of the Spring Festival every year. On this journey from her husband’s family to her mother’s family, she has to go through the process of stuffing her suitcase with things other than clothes twice a year. "I always prepare an extra box when I go home now, especially for two mothers. I am not only their children, but also between them ‘ Porter ’ ！”

　　Distance produces a beautiful "suitcase of love"

　　However, Nini, who is also studying abroad, seems to be "bleak". During her years of studying, her suitcase has always been "how to get there".

　　"I come gently and walk gently, and I will never take away a cloud at home!" Nini’s tone is slightly joking. She joked that her mother’s behavior of not stuffing her suitcase was "probably the distance is gone and the beauty is gone."

　　But in fact, her suitcase can "survive" because her school is too close to home — — "It takes longer to get from school to the train station than it takes me to get home from this city. My home is so close. So my mother said, call me if you want to eat, and then I will buy a ticket for 20 yuan and go home to eat. "

　　"So, my mother always says that it is good to be close to home. If you want to eat, you will have it right away!"

　　When it is broken, it is broken, and it is not disturbed.

　　Tianqi and her husband, who have been married for the third year this year, returned to their parents’ home on the second day of the Spring Festival this year, but left on the fifth day. However, there are almost no "other things" in her and her husband’s boxes.

　　"In the past, when I was at school, she (Tianqi’s mother) would bring me all kinds of food and play, and she would also prepare some more parts for me, saying that she would let me give them to my classmates, but it was really too heavy. I didn’t feel so hard to change water in the university dormitory. " Tianqi thought it was probably because she grew up independently. Since she felt that she didn’t need these things, she stopped her mother in time.

　　Anything you want to eat, play or drink, and anything you can solve at home, you can solve it at home. This is Tianqi’s "coup".

　　"The main thing is that it is also very convenient now. I can buy everything online, and I don’t want them to toss and turn in order to prepare something. My parents are old and tired. " After all, Tianqi is still worried about his parents.

　　It’s just a suitcase, and some people may think that such attention is too much to make a mountain out of a molehill.

　　But only people who are wandering outside know that all the year round, only those things in this suitcase can make children feel as if their parents are around.

　　Some netizens said: "We have long been used to reporting good news instead of worrying, and they have no way of knowing whether we are good or not outside. All the year round, only this small suitcase will make them feel that they are still ‘ Useful ’ I can’t bear to refuse … …”

　　So later, after a long time, Xiao Nan learned to tolerate her "heavy" suitcase: "She is always afraid that I can’t eat well, but I am still at school, so take it with me, at least my mother can rest assured!"

　　There is a kind of love,

　　It’s called "open the suitcase" … …

　　No matter how heavy the suitcase is,

　　Can’t be more important than the love of parents.

　　Parents are there, and life is still there;

　　When parents go, there is only a way home in life.

　　The new year,

　　When you are full of desire to go out.

　　Please don’t forget to look back,

　　Family members who have been with you.

　　The Spring Festival holiday is over,

　　Are you ready to return?

　　With the love of parents,

　　Re-embark on the journey of struggle!

　　The new year,

　　Please continue to refuel!

　　From the Gobi Desert to the banks of Jinsha River and then to the eastern seashore, a number of major projects have been started, accelerated and reported frequently, and the land of China has made concerted efforts to make a "good start" and help China’s economy move forward steadily.

　　In the Jinsha River Gorge at the junction of ningnan county, Sichuan Province and Qiaojia County, Yunnan Province, the surging river from the upper reaches was stopped by a towering dam, showing the magnificence of "High Gorge Pinghu".

　　This is the hydropower project with the highest technical difficulty and the largest single machine capacity in the world — — Baihetan Hydropower Station has just achieved the goal of putting all units into operation at the end of 2022. At this point, six giant cascade hydropower stations on the main stream of the Yangtze River are "connected in a string", forming the world’s largest "clean energy corridor". A drop of water sends electricity six times, and green electricity runs through the west and east.

　　During the New Year’s Day, more than 1,000 builders stuck to their posts to ensure the safe and stable operation of the million-kilowatt hydropower unit, and at the same time, did all the finishing work of the project in an orderly manner. "We will complete the follow-up work with high quality and draw a successful conclusion for the Baihetan project." Wang Zhilin, director of Baihetan Engineering Construction Department of Three Gorges Group, said.

　　The torrent of dreams rushes forward, and the pace of struggle keeps trudging.

　　2023 is the first year to fully implement the spirit of the 20th Party Congress. The beginning is related to the overall situation, and the beginning determines the later stage.

　　"At present, China’s economic development does face some difficulties and challenges, but this is a problem in progress. China’s economy has strong resilience, great potential and full vitality, and its long-term positive fundamentals have not changed. As the effects of various policies continue to emerge, the economic operation in 2023 is expected to rebound overall. " Zhao Chenxin, member of the party group and deputy director of the National Development and Reform Commission, said in an interview with the media recently.

　　Insufficient total demand is a prominent contradiction facing the current economic operation. The Central Economic Work Conference regards "focusing on expanding domestic demand" as the key task in 2023, emphasizing "giving full play to the basic role of consumption and the key role of investment".

　　"It is necessary to effectively promote the investment of the whole society through government investment and policy incentives, and form a virtuous circle of reserving a batch, building a batch and completing a batch." Zhao Chenxi said.

　　Focus on 102 major projects in the 14 th Five-Year Plan and make efforts to accelerate the construction of major projects. Appropriately advance infrastructure investment, increase investment support in manufacturing industry, strengthen the construction of food security, energy security, industrial chain supply chain security and other fields, and strengthen support for major issues to protect people’s livelihood needs … … Increase investment in key areas and weak links, and major engineering projects have become an important starting point.

　　On the first day of the new year, 177 major projects were started in Fuzhou in the first quarter, with a total investment of 98.3 billion yuan, involving industrial development, infrastructure, social livelihood and other fields; The first batch of market-oriented projects in xiong’an new area — — Xiong’ an Dianjian Zhihui City ushered in the first phase of opening operation, and more than 40 enterprises concentrated in it.

　　During the New Year’s Day, CNOOC Guanlan, China’s first far-reaching offshore wind power platform invested and built by CNOOC China, completed the final assembly of the floating body in Qingdao site of CNOOC Engineering, marking the important progress in the construction of the world’s first "Shuangbai" offshore wind power project with a water depth of over 100 meters and an offshore distance of over 100 kilometers.

　　The construction of northwest China, where the temperature has dropped to below zero during the day, is still hot. Thousands of workers are busy every day at the photovoltaic project construction site of the 3 million kilowatts new energy base in Tengger Desert, Longyuan Power of the National Energy Group. The project is the largest photovoltaic sand control base project in China. After completion, the annual power generation can reach 5.78 billion kWh, which can save 1.92 million tons of standard coal, reduce 33,900 tons of sulfur dioxide emissions, 50,000 tons of nitrogen oxides and 4.66 million tons of carbon dioxide emissions.

　　"Catch the early" to start a good game, and "make full efforts" to seize the opportunity. On the land of China, major engineering projects are being built with high quality and advanced with high standards, and the grand goal is being turned into a beautiful reality step by step.

　　Struggle to create miracles, strength comes from unity, and policies should also lay a good combination of punches to stimulate synergy.

　　According to reports, the relevant departments will further optimize and adjust the investment structure within the central budget and concentrate on doing major, difficult and urgent things well. Actively do a good job in the preparation of local government special bond projects, and promote the construction of special bond projects as scheduled. We will accelerate the construction of policy-oriented development financial instrument projects and form more physical workload as soon as possible. We will accelerate the release of financial interest subsidies for special refinancing loans for equipment renewal and transformation and the effectiveness of medium and long-term loans for manufacturing industries, and promote the steady growth of investment in manufacturing industries. Supervise and guide all localities to continuously improve the project reserve mechanism.

　　Zhao Chenxi stressed that it is necessary to boost the confidence of private investment. Strengthen the financing support of private investment projects through the investment and financing cooperation docking mechanism, and support private investment to revitalize existing assets in various ways. Improve the investment environment, encourage and attract more private capital to participate in the construction of major national projects and short-board projects.

　　"Major engineering projects are the basic disk and starting point for economic stability and long-term, and also an important foundation for achieving coordinated development between urban and rural areas and regions." Sun Chuanwang, a professor at the School of Economics of Xiamen University, believes that accelerating the construction of major projects is conducive to promoting effective investment in the whole society, promoting the steady growth of investment in important areas, and better supporting the accelerated improvement of economic operation.

　　"In 2023, China’s development has a good foundation and more favorable conditions. We are confident, qualified and capable of promoting the overall improvement of economic operation and achieving effective improvement in quality and reasonable growth in quantity." Zhao Chenxi said.

　　Take advantage of the historical trend and follow the right path in the world. The expedition full of glory and dreams has begun. Let’s forge ahead and work hard. Tomorrow’s China will be even better. (Reporter Wang Lu)

　　Xinhua News Agency, Tokyo, May 29 (Reporter Wang Kejia, Jiang Qiaomei) On the 29th, the plenary session of the Japanese House of Representatives passed a series of relevant legal amendments, such as the Civil Law, which lowered the legal age of majority to 18. This series of legal amendments will be sent to the Senate for deliberation and voting.

　　The main contents of the above amendments to the Civil Law are to lower the legal age of majority from 20 to 18, and to raise the legal age of marriage for women from 16 to 18. In order to cope with this change, the Japanese government also proposed to amend 22 related laws, such as the Nationality Law and the Passport Law, in the Annex to the Amendment of the Civil Law.

　　A series of revised bills will allow Japanese people over the age of 18 to apply for loans, credit cards and other contracts without the consent of guardians. However, considering health and other related factors, the government will still maintain the minimum age limit of smoking, drinking and participating in horse racing at 20.

　　According to Japanese media reports, under the background of increasing problems such as declining birthrate and aging in Japanese society, the main purpose of the Japanese government to lower the legal age of majority is to encourage young people to actively participate in social activities. However, there are also some opposition party members who oppose the revision of relevant laws, arguing that "the current government’s protection policy for young people is not perfect, and lowering the legal age of adult may have a negative impact" and "there is no need to rush to lower the legal age of adult".

　　According to reports, once the revised bill is passed in the Senate, it is expected to take effect from April 2022.

　　Figure ①: At the preferential exhibition season of Hubei intangible products, the staff are showing the skills of Han embroidery.

　　Photo by Wu Zhizun (Xinhua News Agency)

　　Figure 2: Cloisonne works.

　　Photo by Du Lili

　　Figure ③: Silver filigree works.

　　Photo by Du Lili

　　Figure ④: Students of shanggao county Experimental Primary School in Yichun City, Jiangxi Province are learning Peking Opera performances.

　　Photo by Zhou Liang (image China)

　　Figure ⑤: teapot.

　　Photo by Du Lili

　　Figure ⑥: At Huayao Wenchuang Base in Baishuidong Village, Shaoyang, Hunan Province, staff are showing non-legacy cultural and creative products.

　　Zeng Yongshe (image China)

　　Source: Ministry of Culture and Tourism, National Forestry and Grassland Bureau.

　　General Secretary of the Supreme Leader pointed out: "Historical and cultural heritage carries the genes and blood of the Chinese nation, which belongs not only to our generation, but also to future generations." June 11th is China’s Cultural and Natural Heritage Day in 2022. In recent years, China has effectively strengthened the protection of cultural relics and promoted the activation and utilization of intangible cultural heritage. Whether it is a cultural relic program screen network or a young person who is not a good thing; Whether it’s cross-border innovation of old crafts or entering the school classroom … … Nowadays, cultural heritage is increasingly connected with modern life, blooming charming brilliance and embracing a broader future.

　　Today, we turn our attention to the vivid practice in the field of cultural heritage, feel the vitality and strengthen our cultural self-confidence in guarding and advancing with the times from generation to generation.

　　— — Editor

　　Zaoyang coarse cloth making skills are integrated into current costume design.

　　Old cloth weaves modern new ideas

　　Our reporter Li Xia

　　A polished wooden shuttle passed through the upper and lower rows of cotton yarn, and the left hand held the loom and pulled it hard into the arms, making a crisp crash. Suddenly, the right hand shuttle flew to the left hand accurately from between the cotton threads, and then took the loom and sent it to the arms. There were two crisp crashes again. Between the warp and weft, a piece of cloth with clear lines gradually takes shape. Wang Yilin, the inheritor of Zaoyang coarse cloth making skills, is 95 years old, but once he sits in front of the loom, his hand movements are still dazzling.

　　Zaoyang coarse cloth making technique is a traditional homespun textile technique spread in Zaoyang and its surrounding areas in Hubei Province. In May 2021, it was listed in the fifth batch of national intangible cultural heritage representative projects. Zaoyang coarse cloth is made of local high-quality cotton, woven by wooden pedal loom, and hand-made through 17 processes, such as embossing, bouncing, cotton sliver rubbing, spinning, warp drawing, button threading, longitudinal threading, weaving and dyeing. It is full of colorful, simple and bright patterns, and simple and unrestrained style.

　　As a result, the old man’s son Liu Dayou and his daughter-in-law Zhang Qihua became the "defenders" of Zaoyang’s coarse cloth making skills. The couple founded the brand "Baibutang" in Wuhan, and developed the traditional intangible skills into a modern textile brand, and successively established eight non-genetic workshops and studios in Wuhan and Zaoyang. Every year, we provide free training and impart textile skills to the society, and jointly establish an entrepreneurship training base with the Women’s Federation to provide women with employment opportunities.

　　To inherit and innovate, Zhang Qihua put forward the research and development concept of "old cloth and new work". Baibutong cooperated with wuhan textile University, Hubei University of Technology, Xiangyang Vocational and Technical College and other institutions. Zaoyang coarse cloth production was combined with modern technology, and the design, color and style were innovated, and the weaving method was improved, so that the intangible skills could be integrated into modern life. Not long ago, in the first intangible fashion show in Hubei Province, 17 sets of Zaoyang coarse cloth intangible fashion made by Baibutang were amazed by the audience with their unique production technology, ingenious integration of intangible elements and modern clothing.

　　Zaoyang coarse cloth is a textile, and cotton is the source of its creation. This year, Baibutang also cooperated with Hubei Academy of Agricultural Sciences to jointly develop and cultivate colored cotton and further innovate products. At present, there are 26.7 mu of colored cotton planted in the experimental field of Hubei Academy of Agricultural Sciences. Next year, Baibutang plans to put colored cotton planting projects into suitable villages to contribute to the development of rural economy.

　　The film "Tian Gong Su Zuo" shows its charm.

　　Light and shadow tell a thousand years of ingenuity

　　Our reporter Wang Weijian

　　Picking up carving knives and scissors in both hands, after dozens of processes such as kneading, cooking, coloring and modeling, everything in the camera, a vivid cartoon image snack appears on the dishes … … The 71-year-old Dong Jiarong is the "top card" of the Soviet-style shipping point, and once won the gold medal in international competitions on behalf of China. However, after an illness more than ten years ago, his hands have been shaking badly and he has never done a boat trip again. Four years ago, Dong Jiarong was invited to participate in the filming of the first documentary film "Tiangong Su Zuo" with the theme of non-legacy in Suzhou, Jiangsu Province. He was so happy that he stayed up all night and picked up his old skills again.

　　Li Hong, director of the Intangible Heritage Department of Suzhou Culture, Radio, Film and Tourism Bureau, introduced that in 2014, Suzhou joined the UNESCO "Creative City Network" and became the global "handicraft and folk art capital". Taking this as an opportunity, Suzhou Municipal Bureau of Culture and Tourism cooperated with Suzhou Radio and Television General Station to launch the documentary film "Tiangong Su Zuo". In 90 minutes, nine Suzhou traditional crafts, such as Su-style boat spots, Song Jin, nuclear carvings, lanterns, and Xiangshan traditional architecture, have appeared one after another, and 12 Su Zuo inheritors with stunts have turned into "protagonists" on the screen, showing a beautiful feast. Since its premiere, Tiangong Su Zuo has been shown in 56 cities across the country in turn. Soon, the film will also land in mainstream cinemas in new york, Toronto, Sydney and other places around the world.

　　What kind of sparks will ancient intangible art collide with modern light and shadow technology?

　　For the non-genetic inheritors in the film, this is not only an unforgettable "electric shock" trip, but also strengthens their confidence in the development and inheritance of the intangible heritage.

　　Excellent Jiangsu and Zhejiang silk is used, gardens and pavilions are tied, and Wumen ink and painting is danqing. Rows of Su lanterns with rich history and culture dress up the night in colorful colors. In focus plane, Wang Xiaowen, a national intangible heritage inheritor of Suzhou Lantern Festival, is immersed in the colorful world he created. But outside the screen, this intangible skill that has been passed down for thousands of years was once endangered. Wang Xiaowen recalled that with the rapid development of economy, Suzhou lanterns gradually faded out of people’s sight. Before that, only a few people in Suzhou could produce high-level lanterns. However, with the release of "Tian Gong Su Zuo", many young people came here, and nearby primary and secondary schools also invited him to give lectures. Today, Wang Xiaowen has 28 regular lectures every week.

　　For the audience, "Tian Gong Su Zuo" is like a non-legacy exhibition hall, telling a warm and moving Suzhou non-legacy story among the oars and lights. "I want to go to Suzhou to learn crafts after reading it. Movies can make more young people love it." An audience member said excitedly.

　　Innovative exhibition mode of Tianjin Heping District Intangible Heritage Exhibition Hall

　　The ancient charm of science and technology is not a legacy.

　　Our reporter Wu Shaomin

　　The founding time is dotted with axes and places, and the intangible items are marked in detail one by one … … On the second floor of the West Zone, North Building, Minyuan Square, Fifth Avenue, Tianjin, the Heping District Intangible Cultural Heritage Exhibition Hall is quiet and quiet, creating an intangible world with great movement.

　　"These three bronze statues are the three founders of the national intangible cultural heritage project: Mr. Gao Guiyou, the founder of Goubuli Steamed Bun making skill, Mr. Pang Henian, the founder of Laomeihua handmade shoemaking skill, and Mr. Wang Dianying &hellip, the inheritor of China classical tricks; …” Entering the exhibition hall, the profound non-legacy culture is coming. Liu Qian, the person in charge of the Heping District Intangible Cultural Heritage Exhibition Hall, introduced that the exhibition hall is divided into four parts: Jinwei, Medical Way, Baixi and Gongqiao, covering all the intangible cultural heritage projects in Heping District.

　　"The rolling film at the window is made up of more than 100 real historical photos. Being in the carriage, I feel the intangible heritage of traveling through time and space … …” Accompanied by the ringing of the bell, I boarded the "non-legacy" tram with a history of 100 years, with the display screen as the window glass. The bustling and noisy street scenes of old Tianjin in the 1920 s flashed, and many old Tianjin brands such as department stores and Quanyechang were presented in front of me, with a long aftertaste of Tianjin shouts.

　　In the non-legacy "interactive area" of the exhibition hall, the audience can experience the non-legacy charm by means of AR (augmented reality), VR (virtual reality) and other technical means. "The exhibition uses the combination of panels, physical exhibitions, video playback, live demonstration embedding and modern scientific and technological means to make the audience feel the beauty of the legacy." Li Kang, member of the Standing Committee of Heping District Committee and Minister of Propaganda Department, said that everyone is a practitioner and inheritor of the legacy, and the serious face of the audience will make the legacy shine again.

　　Non-genetic inheritance is an important link. The exhibition hall holds non-genetic inheritance activities from time to time, and children will sit around and listen to the inheritors of non-legacy projects such as Liu’s carving and inlaying craft bird cage, northern printing and carving skills, and hand-made live ball glass bottle making skills, telling non-legacy stories. Select some non-legacy projects, encourage college students to combine non-legacy elements and the trend of the times to innovate boldly and bring the products of the competition to the market; Students have one-on-one in-depth exchange and study with the inheritors of non-legacy projects to stimulate whimsy … … Intangible cultural heritage has a new vitality in its inheritance.

　　"In the near future, we will carry out ‘ People’s non-legacy and people’s sharing ’ Cultivate a series of activities such as small inheritors, such as inviting Zong Zhaorui, a representative project of municipal intangible heritage, to make line incense and teach intangible skills on the spot, so that everyone can close the distance with intangible heritage. " Liu Wei said.

　　Coordinator of this edition: Yang Xuan, Zhi Chunli

　　Layout design: Zhang Fangman