"Gravity" appeared in Karen Mok and suffered a "marriage crisis"
Following the grand Beijing premiere, the film Gravity held a press conference in Shanghai on March 30th. The film director Zhao Tianyu made appearances with starring Karen Mok, Dai Liren, Duan Bowen and Zoo, and interacted with the live media enthusiastically. At the meeting scene, Karen Mok and Dai Liren, who suffered a "marriage crisis" in the film, shared the story about the "signal lamp" with the guests present, vividly reflecting the resonant topics such as "derailment", "betrayal" and "trust".
Karen Mok Dai Liren encounters a "marriage trap" and sees the truth in the love disaster.
The urban love blockbuster "Gravitation", which will be released nationwide on April 8, is produced by Angel Wing (Beijing) Film Investment Co., Ltd., China Film Co., Ltd., Dadi Times Culture Communication (Beijing) Co., Ltd. and Dadi Entertainment Co., Ltd., and performed by powerful actors from Karen Mok, Zhang Jingchu, Guo Tao, Dai Liren, Wen Zhang, Bai Baihe, Duan Bowen and Zoo. Following the grand premiere in Beijing on March 29th, the film starring Karen Mok, Dai Liren, Zoo and Duan Bowen, as well as the director Zhao Tianyu, immediately moved to the Shanghai media to meet and interact with the media present to discuss the mysterious "law of love gravity" in the film. On the day of the meeting in Shanghai, Karen Mok and Dai Liren shared all kinds of disasters they encountered under the "marriage trap" with the guests present, and vividly reflected such resonant topics as "cheating", "betrayal" and "trust".
When it comes to their roles in the film, Karen Mok and Dai Liren "admit their mistakes" at the scene. Karen Mok, a "bad wife", said that her betrayal of her husband in the film led to a marriage tragedy. Dai Liren claimed to be a "villain" and tried his best to retaliate against his wife’s "cheating", which almost led to a big mistake. But both of them finally realized the importance of each other to themselves and truly understood the importance of cherishing and trusting in love.
Authoritative production joins Gravity to create "the only love blockbuster this spring"
In addition to inviting heavyweight stars from across the Taiwan Strait and three places to participate, the powerful behind-the-scenes lineup of the emotional masterpiece Gravity should not be underestimated. The film was directed by Zhao Tianyu, a well-known director who successfully entered the Chicago Film Festival. It also brought together Cao Yu, the best cinematographer of the Golden Horse Award, and Chi-Leung Kwong, the two top action directors in Asia, Bruce Law and Wai Tung, to design and shoot big scenes such as crashes and skydiving. Greg Gasson, the world’s first aerial photographer, took the high-altitude skydiving photography, and invited production designer Hao Yi, who has made many hit movies, and Zhang Yang, the sound engineer who has been recording and mixing all Jia Zhangke’s films so far.
As for the soundtrack of the film, Gravitation bought the classic song Creep by the famous British band radio commander Radiohead as the opening song of the film and the ending song of the article and Bai Baihe’s "encounter" story, and chose the heroine Karen Mok’s "Baby" as the ending song, which decorated the ubiquitous "love gravity" in the film with beautiful melody and lyrics from beginning to end, bringing the audience a resonant audio-visual feast.
Gravitation pays attention to social topics and is praised for being grounded.
As an urban love blockbuster, Gravitation combines many complex elements, such as suspense, action, limit and love, and tells the mysterious love story of "meeting, making a baby, cheating and rebirth" between four couples with different life experiences under the ubiquitous "love gravity".
Different from other traditional romantic films, colleagues describing love in Gravity also discussed many social hot topics, and some film critics and people in the industry who took the lead in watching the film especially praised the film for being "grounded". In the film, Guo Tao and Zhang Jingchu, a young couple, go to great lengths to have a perfect baby. In the real society, many young white-collar couples are facing such troubles. With the help of their stories, a main topic of the film is also brought up: Do you want to have sex or make a baby? In the end, the two people in the film get the answer that love can’t be designed, and I believe that the audience sitting in the cinema will get the same feeling. It turns out that sincerity and truth are still the dominant forces in husband and wife life. Similarly, the stories of encounter, infidelity and rebirth have resonated with the audience respectively. In the process of creation, director Zhao Tianyu designed many bridges, trying to make the story to the extreme and push the drama to the climax. Whether it is a tragedy or a comedy, the story must come from life, and if you want to impress the audience, you must get resonance.