CCTV News:The 9th is the anniversary of the 74th anniversary of the victory of the Great Patriotic War in Russia. As usual, a grand military parade will be held in Moscow’s Red Square. On the morning of the 7th local time, Russia held the general rehearsal of this year’s Victory Day military parade. In this rehearsal, a total of 13,000 officers and men, 132 weapons and equipment and an air formation consisting of 74 aircraft symbolizing the 74th anniversary of the victory of the Great Patriotic War appeared.

　　Walking phalanx mechanized square and air formation

　　The entire parade lineup consists of three parts: the trekking phalanx, the ground mechanized square team and the air formation.

　　This year, a total of 35 trekking phalanxes participated in the Victory Day military parade. According to the usual practice, the drum band phalanx of "Moscow Military Conservatory of Music" took the lead in the entrance and kicked off; This year’s phalanx also includes for the first time the phalanx of "Moscow University of the Ministry of Interior of the Russian Federation", the phalanx of female soldiers of "zhukov Air and Space Defense Military Academy" and the phalanx of "Military Academy of Russian Federation Investigation Committee".

　　Followed by the ground mechanization team that attracts much attention every year, the T-34 tank that made great achievements during the Great Patriotic War is still at the forefront; The latest generation of Russian main battle tank T-14 Amata tank has become the focus of this mechanized team because of its excellent protective ability and the latest military technology. At the same time, classic mechanized equipment such as "iskander -M" tactical missile system, "Jarls" strategic missile system and "boomerang" armored transport vehicle also appeared; The fleet of air defense systems displayed the air defense missile systems of Doyle -M2, Beech -M2, Armor -M and S-400.

　　The air formation was led by the world’s largest transport helicopter "Mi -26", and four "Mi -8" helicopters took the lead in flying over Red Square; The upgraded A-50U early warning aircraft also joined the parade formation on Victory Day for the first time in four years. Il -78 aerial tanker and Tu -95MS strategic bomber demonstrated the aerial refueling status on the spot; The famous "Russian Warriors" and "Swift" air show teams drove five Su -30SM fighters and four MIG -29 fighters in a diamond shape in the air to complete the difficult "kubinka Diamond" stunt; Finally, six Su -25 attack planes sprayed white, blue and red tail smoke symbolizing the flag of the Russian Federation from their tails and flew over Red Square, ending the general rehearsal of the military parade.

　　The biggest attraction is that the latest weapons and equipment will be unveiled.

　　The general rehearsal of the military parade announced the military parade lineup in advance. Then, what changes have taken place in this year’s Victory Day military parade and what are the highlights? Let’s take a sneak peek. The biggest attraction of the Red Square military parade is the latest equipment of the Russian army. Besides main battle tanks and missile systems, what else?

　　This year, Russian airborne troops will walk through Red Square with the latest AK-12 assault rifle. The AK-12 is developed by Russia and equipped with Russian troops.

　　journalist"You must have shot with this gun?"

　　Students of Ryazan Higher Airborne Command School in Margelov, Russia.Yes, this is the first time to show this type of weapon on the Red Square parade. It is the most convenient weapon.

　　This year, the improved Tu -95MS strategic bomber will fly over Red Square, which can carry X-101 missiles.

　　Russian military expert Konstantin SivkovThe X-101 missile is a unique missile with a range of about 5,000 kilometers. Cruise missiles Imagine a radius of 12,000 kilometers of aircraft activity and a missile range of 5,000 kilometers. What we get is actually a global weapon. "

　

Author | Amy Wang

In 2011, seven companies, including LeTV, Tencent, Excited, Thunder, Storm Video, PPTV and PPS, jointly established a movie network cinema distribution alliance, and put forward the concept of "unified online time, unified broadcast quality and unified tariff" to promote the pay-on-demand mode of film and television dramas. At that time, there were less than 7,000 screens in China cinemas, and the annual output of movies was about 500. Almost half of them could not escape the fate of a one-day tour. This cooperation is the first time that a long video has moved from behind the scenes to the stage. On the one hand, it officially opened the content payment, on the other hand, it publicly declared war on piracy.

　

Ten years later, in 2021, Ai Tengyou co-sponsored the 2021 online movie Spring Festival, announcing that two blockbuster films, The Diary of Making a Rich, directed by Tang Jili, starring Wang Baoqiang and directed and directed by The Legend of Shaolin Temple and Song Xiaobao, and starring Sha Yi, Mary and Zray, will land on three platforms on New Year’s Day in PVOD mode. At the same time, the three platforms also officially announced more than 40 new online movies and limited cinema blockbusters, and made concerted efforts to "online Spring Festival files".

At this time, although the number of cinemas in China is nearly 80,000, and the annual output of movies is 650, China has become the second largest ticket warehouse in the world, but the problems of difficult film arrangement, high screen vacancy rate and high operating cost of cinemas still exist.

In the past ten years, the Internet and content industry in China have developed at a high speed, and the copyright protection war has been fought round after round. Content payment has finally changed from bud to mainstream, and the dream of one person, one vote to order new cinema films on the Internet has blossomed.

　

After 2020, almost no one doubts about watching movies on the Internet (PVOD). Whether the epidemic is over or not, the pattern that cinemas are the only mainstream distribution channel for big movies is changing, along with the relationship between upstream studios and cinemas, and this change is permanent.

　

Streaming media is rapidly reshaping its right to speak in film distribution around the world, and the commercial achievements of subscription payment prove that the new era of film distribution is striding forward.

　

The "variables" of the Spring Festival file are still there, and both online and offline are prepared.

　

Filmmakers dare not relax until the last moment of the Spring Festival.

　

After the collective withdrawal of Spring Festival movies, the closure of cinemas and the strict attendance rate a few days before the release last year, the 2021 Spring Festival movie is always burdened with great uncertainty.

　

Compared with the movie box office, the bigger proposition is that during the whole Spring Festival holiday, all the people in China may have to cancel many offline entertainment arrangements because of the social restrictions of the epidemic. In response to the epidemic prevention policy, migrant workers who choose to spend the New Year on the spot have to endure the pain of not being reunited with their relatives … Whether this Spring Festival file can provide sufficient and rich entertainment content choices for the people of the whole country is a test for the entire film and television industry.

　

This year, seven blockbusters, including Detective Chinatown 3, Hi, Mom and A Writer’s Odyssey, competed for the Spring Festival stalls in the cinema, and The Legend of Shaolin Temple’s "Diary of Making a fortune" was first published online at the beginning of the year to wish the New Year.

　

However, cinemas are still full of variables during the Spring Festival holiday. For example, Beijing has just issued a regulation that the attendance rate of cinemas should not exceed 50% during the Spring Festival holiday, which may be followed by other cities in the country. In addition, the uncertainty of the outbreak may also make some cinemas in high-risk areas unable to open, which tests the temporary resilience of all parties concerned, such as cinemas, third-party ticketing platforms, marketers and filmmakers, and of course directly affects the itinerary of the audience. When offline viewing is affected, whether online viewing can withstand it is also a major test for Ai Tengyou.

　

Last year, online and offline, I was at a loss for emergencies. Except for a few films that choose to be distributed online, the new film resources of the whole Internet cinema obviously cannot meet the huge online demand. On many occasions this year, the relevant persons in charge of Aitengyou’s three platforms all said that the new anxiety in long video movies was not alleviated until The Eight Hundred went online. It can be seen that, first of all, for the entire film industry, online and offline have always been interdependent and complementary; Secondly, when the demand for online movies is increasing rapidly and Internet viewing is becoming more and more mainstream, the filmmakers who choose to distribute the films in different lines are also very courageous and business-minded.

　

In order to cope with the Spring Festival holiday full of variables but peak demand with offline, after more than a year of exploration and attempt, the strategies of iQiyi and other three platforms have become quite mature. In previous years, online Spring Festival files were mostly based on operations. This year, the three platforms took the initiative. In addition to selecting new online movies with quality and theme suitable for the Spring Festival broadcast in advance, they also actively cooperated with cinema blockbusters to conduct on-demand in PVOD mode. In an interview, Li Jinhan, the producer of the film "Diary of Making a fortune", said that it was decided to release it online in August and September last year. It can be seen that this year, filmmakers and video platforms have not been idle about how to solve the impact of objective factors on the film industry.

　

The Internet has come to this day because of its undifferentiated ability to provide diversified choices for diversified people. The arrival of watching new movies online is more powerful for those who have no choice.

　

First of all, the big screen can’t cover the audience who want to watch new movies so much, especially the users in low-tier cities and rural areas below the third line, who can order new movies on their mobile phones indiscriminately; Followed by art theaters or niche fans, who suffer from high reputation but low film scheduling, can now pay for their favorite art films to CALL. Of course, the online cinema market is far more than serving these segments. When more and more large new films are distributed online, buying tickets online to watch movies will also become the viewing choice of all online users.

　

Online and offline participation in the Spring Festival stalls will protect the important ceremony of watching new films and blockbusters during the Spring Festival, and also bring incremental distribution and consumption to China films.

　

Online movie distribution also requires differentiated operations.

　

Last year, Universal Trolls World Tour took the lead in the distribution of streaming media in PVOD mode, which caused a polarized discussion in the industry. At that time, cinemas and film industry had not clearly realized how much COVID-19 had dealt a blow to the film industry. Streaming media soon proved itself, and many shelved blockbusters came out, and many studios on the verge of bankruptcy came back to life. At the same time, big studios such as Universal and Warner did not fail. Nowadays, PVOD is popular all over the world, and more and more top filmmakers in Hollywood begin to embrace streaming media boldly.

　

Tang Jili, the director of The Legend of Shaolin Temple, is the first to test the PVOD mode in the Spring Festival. He thinks that the Internet and the cinema are equal media channels, and it is very good for people who make content to choose one more choice. He does not think that choosing the Internet is a compromise. He also stressed that in the future, movies will no longer be distinguished by their distribution channels. It can be seen that many top filmmakers are willing to choose the Internet, and many times the society’s perception of the separation between cinemas and streaming media is one-sided and extreme.

　

However, we have to admit that the PVOD VOD model is still in its early stage, and there are not many mature case references about what type, what theme, how many movies are suitable for the network, and how much commercial space it can have, which may be the main reason why many filmmakers hesitate. At present, the split box office record of online movies is 56 million for daoist magic (about 160 million for cinema box office). The fact is that the cost of many cinema blockbusters may exceed this number. How much box office volume can PVOD create? How much commercial value does it bring? Still waiting for more adventurous filmmakers to "eat crabs." I have to admit, how many treasures can be dug from the large plate with a unit price of over 100 million members, both for content and courage.

　

When iQiyi tried to release movies in PVOD mode, it simultaneously launched an online cinema brand "Super Cinema" in July last year. "Super Cinema" is not a "big network" as understood by the public, but an online cinema with more brand operation thinking opened in the content pay circuit. At present, it is only open to cinema-level movies that meet certain production standards and are willing to choose the network premiere.

　

Of course, the content in the "super cinema" is higher than that of ordinary online movies in terms of time and capital investment, and the income of movies released by online cinemas is naturally higher. At present, "Super Cinema" has launched the action comedy "Flying Dragon Crossing the River" directed by Jing Wong, the high-profile literary film "Spring Tide" and "Spring River Plumbing", the special effect IP blockbuster "Journey", the overseas animated film "Spongebob: Rescue Adventure" and other new films, and the addition of two comedy films created by a strong team in 2021 "Online Spring Festival File" also shows the strong tolerance and distribution potential of online cinemas.

　

Differentiated brand strategy is another difference in the trend of film online distribution mode. Last year, Iqiyi successfully built a mystery drama brand named "Mist Theater". Now when it comes to Mist, users naturally associate it with the best suspense drama series in China, and online cinemas need a strong brand to carry the brand precipitation with good reputation in the future. Unlike "Mist", online cinemas need more types of themes. At present, what video websites can do is to continuously accumulate and break through one theme type by one, and finally create a gold-lettered signboard for online distribution of movies. Iqiyi Super Cinema is a prototype, but it still has a long way to go.

　

Ten years of online cinema, the fight is technology and mode.

　

Moving cinemas to the Internet is not a practice after the COVID-19 epidemic, but an idea that has emerged since the advent of the Internet.

　

In fact, ten years ago, the movie channel Movie Network launched a single-point payment viewing mode very ahead of schedule. It was the first to test Jiang Wen’s "Let the Bullets Fly", which created 200,000 hits in 20 days at the price of 3-5 yuan on demand, bringing nearly one million online incomes. Unfortunately, at that time, the long video scuffle, the source of income was advertising, and online piracy was also very serious. Single-point payment was not promoted and gradually replaced by membership.

　

In addition to Internet companies, many cinemas have also tried to invest in research and development of apps and websites to build their own online viewing ports to meet the needs of viewers to watch movies at home, but in the end there were no successful cases due to immature technologies or models.

　

Gao Qunyao, who led Wanda’s acquisition of AMC and Legendary Pictures and served as the CEO of Wanda Culture Group’s international business department, witnessed the development of China’s film market in various stages as a professional manager, and saw the future trend of "cinema+mobile terminal" dual-line distribution. After leaving Wanda in 2017, he founded "mobile cinema". The main idea of the mobile cinema APP is to move the cinema screen to the mobile phone, and the audience needs to buy tickets to watch the movie. At present, the resources of new films in mobile cinemas are relatively limited, and large-scale resources are relatively scarce. After several years of development, users are still testing the water in small quantities.

　

Joy Media, which is deeply tied with directors such as Ning Hao, Xú Zhēng, Wong Kar-wai, Chen Kexin, Gu Changwei, Zhang Yibai, Zhang Yimou, etc., is also very optimistic about the online distribution market, and vigorously promotes its streaming media product Joy Premiere APP, mainly showing its films on demand, such as "Crazy Alien" Lost in Russia, etc., and has tried to pay for it on this platform. However, due to the limited amount of content produced by Huanxi Media and the unstable content supply, the current installed capacity of Huanxi Premiere APP is also hovering at a low level.

　

The exploration of online distribution in the whole film industry proves that strong technical ability and stable and sustainable business model are essential elements of online distribution, which requires long-term and large investment and has a high entry threshold. Nowadays, whether it is technical ability, capital strength, traffic base or payment mode, Aitengyou is the most likely platform to undertake the online distribution of movies.

　

In the past ten years, video platforms have seen their movie reserves go from zero to tens of thousands, and their membership has gone from zero to over 100 million, from movie broadcasting terminals to the creation of online movie commercial market, and then to the landing of online cinema brands such as "Super Cinema". On the one hand, it increases the film distribution mode and income increment for the upstream, and cultivates reserve talents for China films; on the other hand, it cultivates high-viscosity movie-watching users, and stimulates the arrival of the film and television focus era.

　

In addition, technically, the video platform is also ready to be put in place. First, with the popularity of smart TV screens, Chinese began to return to the living room, especially during the Spring Festival. It is a very common entertainment consumption scene for the whole family to get together and watch a family movie in the living room, and this scene can be easily realized by projection. Iqiyi simultaneously launched the VR version of the "Online Spring Festival File" film Adventure, which can meet the audience with higher immersive viewing needs. Second, the current video platform has been able to accurately distribute technology through technological innovations such as AI and big data, subdivide content and accurately find user groups, greatly improving the payment rate.

　

In the future, what will the cinema pattern become, and whether people still need cinemas? This is a question asked by more and more people after the epidemic began. Senior foreign research institutions and executives of film and television companies agree that cinemas will not die, but they really need to be changed. In the future, capital is likely to bet more and more on the investment of high-end cinemas with luxury facilities, because the viewing experience of these high-end cinemas in heavy industry movies can not be replaced by mobile phones and televisions.

　

In fact, this trend is very obvious in China. In the past few years, the box office figures and proportions of many special cinemas, including IMAX, Dolby Hall and China Giant Screen, have shown an upward trend. The core reason is that consumers are demanding more audio-visual experience and are willing to pay higher fares for such cinemas with better audio-visual effects. At the same time, those cinemas that don’t pay attention to service and pay attention to the broadcast quality and viewing environment are also scored low or even eliminated by more and more viewers.

　

Online viewing has become a long-standing choice for viewing consumption in the future. Under this general trend, film and television companies will pay more attention to online layout, while cinemas should change the mentality of "seller’s market" and focus on improving the offline viewing experience.

　

The reform and transformation of the film industry has always existed, and the Internet has only played an accelerating role. The offline distribution and online distribution of movies are parallel, and streaming media and cinemas explore and innovate their own service models, which is actually an inevitable result of the D2C era of content industry. Whether online cinema or physical cinema, in the face of a larger market, each has its own emphasis. Finding its own subdivided track and digging to the extreme should be the only way for the sound development of China film market.

　

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　　[Global Times reporter Chen Qianzhong Yuhua] Editor’s Note: On the evening of November 29th, Beijing time, at the 17th regular session of the UNESCO Intergovernmental Committee for the Protection of Intangible Cultural Heritage, China’s declared "China’s traditional tea-making skills and related customs" passed the evaluation and was included in the UNESCO representative list of human intangible cultural heritage. Human beings need harmonious coexistence and elegant and poetic habitation. China tea culture pays attention to "tea and the world", and its concept of "quietness and elegance" meets the needs of today’s world.

　　Non-legacy projects mainly come from four major tea areas.

　　"Traditional tea-making skills and related customs in China" refers to the knowledge, skills and practices related to tea garden management, tea picking, hand-made tea and tea drinking and sharing. Wang Fuzhou, vice president of the Chinese Academy of Art and director of the China Intangible Cultural Heritage Protection Center, told the Global Times reporter that the project included 44 small projects from 15 provinces (municipalities and autonomous regions) across the country. This declaration covers traditional tea-making techniques such as green tea, black tea, oolong tea, white tea, black tea, yellow tea, reprocessed tea, etc., and also includes related customs such as jingshan tea banquet and tea-driving field, which can be called the "largest volume" in all previous human heritage declaration projects in China. According to the local conditions, tea makers have developed more than 2,000 kinds of tea products with different colors, smells, tastes and shapes, using tools such as frying pan, bamboo plaque and baking cage, and using core techniques such as deactivating enzymes, suffocating yellow, piling, withering, fermenting and scenting.

　　The tea maker is withering the Fuding white tea.

　　Wang Fuzhou said that traditional tea-making techniques are closely related to geographical location and natural environment, mainly concentrated in the four major tea-making areas of Jiangnan, Jiangbei, Southwest and South China, south of the Huaihe River in Qinling Mountains of China and east of the Qinghai-Tibet Plateau, including Zhejiang, Jiangsu, Jiangxi, Hunan, Anhui, Hubei, Henan, Shaanxi, Yunnan, Guizhou, Sichuan, Fujian, Guangdong, Guangxi and other provinces (cities, autonomous regions); Related customs are widely spread all over the country and shared by many ethnic groups.

　　A document submitted by the Ministry of Culture and Tourism to UNESCO states that tea is ubiquitous in Chinese’s daily life. People drink tea in homes, workplaces, teahouses, restaurants and temples by soaking and boiling. Tea is an important part of social activities and ceremonies such as weddings, apprentices and sacrifices.

　　As a member of this application project, Wang Fuzhou said that the selection of "China traditional tea-making skills and related customs" as this application project is due to the fact that tea has traditional skills, its geographical distribution is wide, its heritage types are rich, and it has the historical significance of East-West exchanges such as the ancient Silk Road and the ancient tea-horse road.

　　Yu Jinlong, a cultural scholar, told the Global Times reporter that the western lifestyle that consumes a lot and pays attention to material things is no longer suitable for human development. Humans need a richer spiritual life. The excellent Chinese traditional culture just meets human needs, and tea culture is an outstanding representative.

　　China tea is connected to the whole world.

　　Zou Jiaju, president of Yunnan Tea Industry Association, told Global Times that China was the first country in the world to grow and make tea. Tea has been associated with Chinese for thousands of years, which has been verified in many historical materials, including Shennong Herbal Classic, the first drug monograph written by China, Tea Classic written by Lu Yu in the Tang Dynasty, and Su Shi, a great poet in the Song Dynasty, who discussed drinking tea in his poems. Tea has a long history in China, which is not only deeply integrated into people’s daily life, but also becomes an important carrier for inheriting Chinese culture.

　　Jiang Song, a cultural scholar, told reporters that the earliest tea was basically drunk by some nobles and elites. Subsequently, the development and popularization of tea drinking culture was related to religion. It can be found from some literature records that Taoism and Buddhism were very popular in the Southern and Northern Dynasties. Taoists and monks all followed a way of clearing up after noon and drinking tea to refresh their minds. In the Tang Dynasty, Buddhism spread widely, and ordinary people began to drink tea, forming a mass tea drinking culture, which reached its peak in the Song Dynasty. From Zhang Zeduan’s "The Riverside Scene at Qingming Festival", we can see many teahouses. In the Northern Song Dynasty, drinking tea in teahouses has become an important social way. In the Song Dynasty, there was an elegant way of fighting tea, in which the tea-fighters took their own good tea, cooked it in turn, and evaluated each other to compete. Tea fighting includes tea fighting products, tea fighting orders and tea games. One of the links of tea fighting is to crush the tea cake, then fry it, and then use boiling water to break the tea with special tools. The longer the foam lasts, the better the tea is.

　　Zheng Changling, deputy director and secretary-general of China Folk Culture Innovation and Development Center, told the Global Times reporter that Chinese discovered tea very early and widely produced and served life, and left behind the ancient tea-horse road, which is talked about by people today.

　　As a famous commercial road, such as Silk Road, Maritime Silk Road and Wanli Tea Ceremony, the ancient tea-horse road is a link between different regions, different nationalities and different cultures, a historical witness to the prosperity of the Chinese nation and an important symbol of Chinese civilization.

　　The Yunnan-Tibet line and Sichuan-Tibet line of the original Tea-Horse Road crossed the Hengduan Mountain and Qinghai-Tibet Plateau for the first time in the form of an expedition road, extended to the western regions, and joined the Silk Road. The phenomenon of multicultural interaction and exchange formed on the Tea-Horse Road, which became one of the powerful arteries connecting ancient and modern China with the outside world. More than 20 ethnic groups, including Han, Tibetan, Dai, Yi and Naxi, inhabit the area radiated by the Tea-Horse Ancient Road, which is a collection of Central Plains culture, Tibetan traditional culture, Baye culture, fire culture, Dongba culture and other cultural forms, and Tibetan Buddhism and Zen have also left different degrees of influence.

　　Yu Jinlong, a cultural scholar, told the Global Times reporter that as the origin of tea trees and the birthplace of tea culture, China’s tea, tea trees and tea culture spread all over the world with the development of cultural exchanges and commercial trade. It was introduced to Japan, Korea, South Asia, Southeast Asia and other regions in the Tang Dynasty, and spread to European countries, the American continent, the Middle East, Russia and other regions in the 16th century. Under the direct influence of China’s tea culture, Britain, Japan, South Korea, Russia and Morocco have also formed their own tea culture. Among them, Japanese tea ceremony and Korean tea ceremony are most influenced by Chinese tea culture.

　　Jiang Song said that in the Tang Dynasty, when Jian Zhen traveled eastward, Buddhism brought tea to Japan, which changed the Japanese way of life. Among the western countries, tea has had the most influence on Britain since the 17th century, which in turn has affected the whole of Europe. In the 18th and 19th centuries, the whole national economy of Britain was affected by the tea trade. According to statistics, 10% of British national income was used to buy tea, which became an important luxury. Some elites thought that the British people were too extravagant in tea consumption, so they suggested that they reduce drinking tea. However, drinking tea has become a way of life, not only because the British diet with more meat needs tea to improve digestion, but also because drinking afternoon tea has become a social way, and then a large number of teahouses have appeared. At that time, a housewife was not a qualified housewife if she could not cook tea for her guests.

　　By the 19th century, Britain’s national economy was closely related to two kinds of plants, one was to spend silver to buy China tea, the other was to control the huge trade deficit, and began to grow poppies in India to make opium, and later even launched two opium wars.

　　In order to narrow the huge trade deficit, Britain decided to steal tea seeds. In the late Qing Dynasty, Robert Fujun, a British plant hunter, smuggled China tea trees to India. At present, tea is grown in at least 50 countries around the world, and more than 120 countries import tea from China. The number of people who like tea in the world has exceeded 5 billion. It can be said that tea and tea culture originated in China have spread all over the world.

　　The closed-door policy was adopted in the late Qing Dynasty, and China’s tea-making technology and other related tea cultures began to lag behind Japan in terms of commercial marketing and communication. However, Chinese’s tea-growing technology and tea-making technology, which have been passed down for thousands of years, are profound and profound, and are still second to none today.

　　Non-genetic inheritor: Successful application for World Heritage is only the starting point.

　　Fan Shenghua, a provincial representative inheritor of the picking and production skills of the national intangible cultural heritage project "West Lake Longjing Tea", participated in this application. He told the Global Times reporter that the success of the application means heavier responsibility and better inheritance. After 48 years of frying tea, in order to pass on the "frying tea skills left by ancestors from generation to generation", Fan Shenghua began to go to surrounding schools and vocational skills training units to train the production skills of West Lake Longjing tea in 2015. "It takes patience to stir-fry tea, which is what I often emphasize with young people." Yang Feng, the inheritor of the intangible cultural heritage of Zhenghe white tea making skills, once participated in the production of Bai Mudan, the national gift of the G20 Hangzhou Summit in 2016. He told the Global Times reporter that the success of this application is enough to prove the value of China tea and tea making skills, which is an important example of Chinese culture’s self-confidence.

　　Successful application for the World Heritage is conducive to promoting the sustainable and healthy development of the global tea industry, deepening the integration and mutual learning of tea culture, and letting more people know and love tea, enjoy the fragrance of tea and share a better life. At the same time, tea culture will have a far-reaching impact on moral cultivation and personality shaping. Promoting the exchange and mutual learning of world civilizations through the Silk Road will play an important role in the sustainable development of human society.

　　At present, Yang Feng’s tea factory cooperates with international organizations to provide a study tour mode of "labor for accommodation". Over the past few years, hundreds of volunteers from more than 10 countries have been attracted to live in tea factories and experience life with the workers. These volunteers have also brought their understanding and good memories of Zhenghe white tea to all corners of the country.

　　Yang Feng told the Global Times reporter, "The application for the World Heritage is only the starting point. We should focus on the quality of tea and cherish the value of the brand. With the country ‘ Belt and Road ’ The implementation of the initiative responds to the call for China culture to go abroad. I hope that international friends who love tea can walk into Chashan to learn about China’s tea culture and bring our tea, century-old tea taste and our customs to all parts of the world. " Zheng Changling told the Global Times reporter that through this application, we can not only see the profound tea culture in China, but also need to see the ideas, wisdom, experience, emotion and spirit of understanding nature and pursuing harmony with the natural society, promote the inheritance and spread of cultural heritage, promote the public’s Chinese cultural consciousness, and further establish cultural self-confidence with more concrete substantive connotations.

　　CCTV News:January 15th is the second day in Spring Festival travel rush, and many popular routes are full of passengers on their way home. In order to create a safe, warm and orderly travel environment, many places have launched a number of measures to serve travelers, making Spring Festival travel rush’s journey faster and warmer.

　　On January 15th, the national railway is expected to send 11 million passengers.

　　On January 15th, the national railways are expected to send 11 million passengers, and 554 additional passenger trains are planned. Judging from the pre-sale situation of 12306, as of 8: 30 on January 15th, the railway 12306 has sold a total of 120 million tickets during the Spring Festival travel rush period, and the railway 12306 has passed the pre-holiday ticket sales peak smoothly, and the system has maintained safe and stable operation.

　　Roads, waterways and civil aviation are running smoothly and orderly as a whole.

　　On the highway side, the second day in Spring Festival travel rush, the national highway network was running smoothly and orderly. Before the festival, the traffic flow of the road network was mainly student flow, work flow and freight flow. In terms of waterways, it is estimated that about 500,000 passengers will be sent by water on January 15th. In terms of civil aviation, it is estimated that 2.18 million passengers will be sent on January 15th.

　　The airport creates a "non-inductive customs clearance" for outbound luggage

　　In order to facilitate passengers’ travel, many places have also launched a number of service initiatives. At Gaoqi International Airport in Xiamen, Fujian, passengers can check in and check their luggage without going through customs inspection after entering the departure hall. After the border inspection, you can wait for boarding after a carry-on baggage security check, which realizes the "non-inductive customs clearance" of outbound baggage.

　　High-speed rail non-legacy cultural festival adds color to the way home

　　As the Spring Festival approaches, the annual flavor on the train is getting stronger and stronger. Among them, Chengdu Bureau of China Railway started the theme bullet train of "High-speed Rail Intangible Cultural Festival", which is full of festive atmosphere. The Qiang flute ensemble, Qiang folk songs chorus, and the cheerful dance of Qiang Salang dancers have made the tourists deeply feel the unique charm of Qiang culture.

　　The cross-regional flow of people in the whole society is expected to exceed 160 million.

　　January 15th is the second day of Spring Festival travel rush in 2025. The reporter learned from the 2025 Comprehensive Transportation Spring Festival travel rush Work Class that on January 15th, the cross-regional personnel flow of the whole society is expected to exceed 160 million person-times, and the traffic is smooth and orderly.

　　On the second day in Spring Festival travel rush, the cross-regional mobility of the whole society is expected to be 166.3 million person-times, including 11 million passenger trips by rail.

　　In order to meet the travel needs of passengers, the railway department has increased the capacity in popular routes and sections, and at the same time increased the service guarantee of stations and cars.

　　In order to improve the convenience of the elderly passengers, Yichun Railway Station in Jiangxi Province has introduced a 15-minute fast check-in channel at the ticket gate, and has also carefully prepared year of the snake mascots and other annual gifts for passengers with children.

　　During the period of Spring Festival travel rush, the number of passengers traveling with children increased significantly. Yan ‘an Station of Xi ‘an Bureau of China Railway added a children’s play area in the waiting room, with toys suitable for children of different ages and isolation zones.

　　The "Mengwa" Post Station in Ganzhou, Jiangxi Province warms passengers’ travel.

　　In order to facilitate passengers to travel with their baby, the "Mengwa" post station was opened in Ganzhou, Jiangxi Province and Ganzhou West Railway Station, so that small passengers can have a place to wait and travel with their baby is more convenient.

　　Walking into the waiting hall of Ganzhou West Railway Station, the "Mengwa" station is particularly conspicuous. The layout here is warm and lovely, full of childlike interest. There are children’s books in the post station and young volunteers on duty.

　　Ganzhou West Railway Station "Mengwa" Station covers an area of about 60 square meters. During the peak passenger flow in Spring Festival travel rush, Ganzhou West Railway Station arranges two volunteers to provide volunteer service at the "Mengwa" post station every day to help passengers "take care of their babies".

　　The overall operation of the national highway network is stable and orderly.

　　On the second day in Spring Festival travel rush, the national highway personnel flow was 152.62 million person-times, and the overall operation of the highway network was stable and orderly. In order to ensure the smooth travel of new energy owners, transportation, electric power and other departments continue to improve their charging support capabilities.

　　In Jiaozhou Service Area of Shandong Qinglan Expressway and Wenling Service Area of Taizhou of Zhejiang Coastal Expressway, where the demand for charging new energy vehicles is strong, the local transportation and power supply departments upgraded the charging equipment and equipped them with mobile fast charging piles, which greatly shortened the charging time of vehicles.

　　In terms of civil aviation, the passenger volume of civil aviation was 2.18 million passengers. According to the passenger demand of Spring Festival travel rush in 2025, some airlines put forward plans for opening new routes. China Southern Airlines plans to open new routes from Daxing, Beijing to Xishuangbanna, Jiamusi, Qiqihar and Mudanjiang. Xiamen Airlines plans to open new routes from Daxing, Beijing to Mudanjiang and Beihai. In addition, China Eastern Airlines plans to add flights from Beijing Daxing to Changbai Mountain, Xiamen, Boao and Changchun.

　　[Editor’s note]

　　How much do you know about the Spring Festival?

　　Standing at the beginning of 2019, which is changing at a second speed, we ask an "old-fashioned" question. As many people know, there are various manners and customs in the Spring Festival, such as endless dinners and parties that can’t be pushed off, and the resulting nostalgia and social embarrassment … …

　　But you know what? The Spring Festival is not only a festival, but also contains social changes, economic development, and every tiny change you bring. On February 4, 2019, Zhongxin.com launched a series of planning "Do you know the Spring Festival", trying to outline the great changes in China’s social landscape through the little changes you and I have made in the Spring Festival.

　　Chinanews. com client Beijing, February 10 th:[Do you know the Spring Festival] Mother’s suitcase is packed tightly before leaving: What’s in your suitcase when you return during the Spring Festival?

　　Author Park Lina

　　Probably many people are not very good at discovering the details of life, which makes every little detail found precious.

　　Since a long vacation, some netizens posted that Weibo "spit" that his mother had brought him too many things, only to let everyone find that "it turns out that all mothers are the same". One after another, the "suitcase competition of love" was staged repeatedly.

　　There is a kind of love called "opening the suitcase"

　　What was stuffed in your suitcase when you left home?

　　Jiaozi wrapped by mother, steamed steamed bread by father and smoked pig’s trotters by grandma … … There is hardly any suitcase that can leave the house with a gap.

　　From the northeast to Beijing, more than 1000 kilometers, Xiao Nan has left home to go to college for the eighth year. In fact, according to the speed of today’s high-speed rail, such a distance is not far. But this can’t stop Xiao Nan’s mother from trying to fill her daughter’s box at the end of each holiday.

　　"At first, I felt quite happy. After all, everything in Beijing is not the taste of home." At that time, many things that she brought back to Beijing were requested by herself, and later she found that the situation was "out of control".

　　From half a catty of pine nuts to three catties of pine nuts, from a bag of kimchi to a box of kimchi, from a bag of northeast rice to a sack of northeast rice … … This advanced process took Xiao Nan’s mother less than two years. "I dare not say what I want now, otherwise the suitcase may be heavier than me … … Oh, even one year, the suitcase couldn’t fit, and my mother sent it to me. As a result, it was too solid, and the box ‘ Fried ’ … "

　　Sisi, who has been married, has also had some headaches because of the suitcase filled by her parents. "If my husband didn’t hold it, I would definitely not be able to carry it. I once weighed it, and a box was stuffed almost forty or fifty kilograms!"

　　After marriage, Sisi can’t return to her family until the second day of the Spring Festival every year. On this journey from her husband’s family to her mother’s family, she has to go through the process of stuffing her suitcase with things other than clothes twice a year. "I always prepare an extra box when I go home now, especially for two mothers. I am not only their children, but also between them ‘ Porter ’ ！”

　　Distance produces a beautiful "suitcase of love"

　　However, Nini, who is also studying abroad, seems to be "bleak". During her years of studying, her suitcase has always been "how to get there".

　　"I come gently and walk gently, and I will never take away a cloud at home!" Nini’s tone is slightly joking. She joked that her mother’s behavior of not stuffing her suitcase was "probably the distance is gone and the beauty is gone."

　　But in fact, her suitcase can "survive" because her school is too close to home — — "It takes longer to get from school to the train station than it takes me to get home from this city. My home is so close. So my mother said, call me if you want to eat, and then I will buy a ticket for 20 yuan and go home to eat. "

　　"So, my mother always says that it is good to be close to home. If you want to eat, you will have it right away!"

　　When it is broken, it is broken, and it is not disturbed.

　　Tianqi and her husband, who have been married for the third year this year, returned to their parents’ home on the second day of the Spring Festival this year, but left on the fifth day. However, there are almost no "other things" in her and her husband’s boxes.

　　"In the past, when I was at school, she (Tianqi’s mother) would bring me all kinds of food and play, and she would also prepare some more parts for me, saying that she would let me give them to my classmates, but it was really too heavy. I didn’t feel so hard to change water in the university dormitory. " Tianqi thought it was probably because she grew up independently. Since she felt that she didn’t need these things, she stopped her mother in time.

　　Anything you want to eat, play or drink, and anything you can solve at home, you can solve it at home. This is Tianqi’s "coup".

　　"The main thing is that it is also very convenient now. I can buy everything online, and I don’t want them to toss and turn in order to prepare something. My parents are old and tired. " After all, Tianqi is still worried about his parents.

　　It’s just a suitcase, and some people may think that such attention is too much to make a mountain out of a molehill.

　　But only people who are wandering outside know that all the year round, only those things in this suitcase can make children feel as if their parents are around.

　　Some netizens said: "We have long been used to reporting good news instead of worrying, and they have no way of knowing whether we are good or not outside. All the year round, only this small suitcase will make them feel that they are still ‘ Useful ’ I can’t bear to refuse … …”

　　So later, after a long time, Xiao Nan learned to tolerate her "heavy" suitcase: "She is always afraid that I can’t eat well, but I am still at school, so take it with me, at least my mother can rest assured!"

　　There is a kind of love,

　　It’s called "open the suitcase" … …

　　No matter how heavy the suitcase is,

　　Can’t be more important than the love of parents.

　　Parents are there, and life is still there;

　　When parents go, there is only a way home in life.

　　The new year,

　　When you are full of desire to go out.

　　Please don’t forget to look back,

　　Family members who have been with you.

　　The Spring Festival holiday is over,

　　Are you ready to return?

　　With the love of parents,

　　Re-embark on the journey of struggle!

　　The new year,

　　Please continue to refuel!

　　Xinhua News Agency, Tokyo, May 29 (Reporter Wang Kejia, Jiang Qiaomei) On the 29th, the plenary session of the Japanese House of Representatives passed a series of relevant legal amendments, such as the Civil Law, which lowered the legal age of majority to 18. This series of legal amendments will be sent to the Senate for deliberation and voting.

　　The main contents of the above amendments to the Civil Law are to lower the legal age of majority from 20 to 18, and to raise the legal age of marriage for women from 16 to 18. In order to cope with this change, the Japanese government also proposed to amend 22 related laws, such as the Nationality Law and the Passport Law, in the Annex to the Amendment of the Civil Law.

　　A series of revised bills will allow Japanese people over the age of 18 to apply for loans, credit cards and other contracts without the consent of guardians. However, considering health and other related factors, the government will still maintain the minimum age limit of smoking, drinking and participating in horse racing at 20.

　　According to Japanese media reports, under the background of increasing problems such as declining birthrate and aging in Japanese society, the main purpose of the Japanese government to lower the legal age of majority is to encourage young people to actively participate in social activities. However, there are also some opposition party members who oppose the revision of relevant laws, arguing that "the current government’s protection policy for young people is not perfect, and lowering the legal age of adult may have a negative impact" and "there is no need to rush to lower the legal age of adult".

　　According to reports, once the revised bill is passed in the Senate, it is expected to take effect from April 2022.

　　Figure ①: At the preferential exhibition season of Hubei intangible products, the staff are showing the skills of Han embroidery.

　　Photo by Wu Zhizun (Xinhua News Agency)

　　Figure 2: Cloisonne works.

　　Photo by Du Lili

　　Figure ③: Silver filigree works.

　　Photo by Du Lili

　　Figure ④: Students of shanggao county Experimental Primary School in Yichun City, Jiangxi Province are learning Peking Opera performances.

　　Photo by Zhou Liang (image China)

　　Figure ⑤: teapot.

　　Photo by Du Lili

　　Figure ⑥: At Huayao Wenchuang Base in Baishuidong Village, Shaoyang, Hunan Province, staff are showing non-legacy cultural and creative products.

　　Zeng Yongshe (image China)

　　Source: Ministry of Culture and Tourism, National Forestry and Grassland Bureau.

　　General Secretary of the Supreme Leader pointed out: "Historical and cultural heritage carries the genes and blood of the Chinese nation, which belongs not only to our generation, but also to future generations." June 11th is China’s Cultural and Natural Heritage Day in 2022. In recent years, China has effectively strengthened the protection of cultural relics and promoted the activation and utilization of intangible cultural heritage. Whether it is a cultural relic program screen network or a young person who is not a good thing; Whether it’s cross-border innovation of old crafts or entering the school classroom … … Nowadays, cultural heritage is increasingly connected with modern life, blooming charming brilliance and embracing a broader future.

　　Today, we turn our attention to the vivid practice in the field of cultural heritage, feel the vitality and strengthen our cultural self-confidence in guarding and advancing with the times from generation to generation.

　　— — Editor

　　Zaoyang coarse cloth making skills are integrated into current costume design.

　　Old cloth weaves modern new ideas

　　Our reporter Li Xia

　　A polished wooden shuttle passed through the upper and lower rows of cotton yarn, and the left hand held the loom and pulled it hard into the arms, making a crisp crash. Suddenly, the right hand shuttle flew to the left hand accurately from between the cotton threads, and then took the loom and sent it to the arms. There were two crisp crashes again. Between the warp and weft, a piece of cloth with clear lines gradually takes shape. Wang Yilin, the inheritor of Zaoyang coarse cloth making skills, is 95 years old, but once he sits in front of the loom, his hand movements are still dazzling.

　　Zaoyang coarse cloth making technique is a traditional homespun textile technique spread in Zaoyang and its surrounding areas in Hubei Province. In May 2021, it was listed in the fifth batch of national intangible cultural heritage representative projects. Zaoyang coarse cloth is made of local high-quality cotton, woven by wooden pedal loom, and hand-made through 17 processes, such as embossing, bouncing, cotton sliver rubbing, spinning, warp drawing, button threading, longitudinal threading, weaving and dyeing. It is full of colorful, simple and bright patterns, and simple and unrestrained style.

　　As a result, the old man’s son Liu Dayou and his daughter-in-law Zhang Qihua became the "defenders" of Zaoyang’s coarse cloth making skills. The couple founded the brand "Baibutang" in Wuhan, and developed the traditional intangible skills into a modern textile brand, and successively established eight non-genetic workshops and studios in Wuhan and Zaoyang. Every year, we provide free training and impart textile skills to the society, and jointly establish an entrepreneurship training base with the Women’s Federation to provide women with employment opportunities.

　　To inherit and innovate, Zhang Qihua put forward the research and development concept of "old cloth and new work". Baibutong cooperated with wuhan textile University, Hubei University of Technology, Xiangyang Vocational and Technical College and other institutions. Zaoyang coarse cloth production was combined with modern technology, and the design, color and style were innovated, and the weaving method was improved, so that the intangible skills could be integrated into modern life. Not long ago, in the first intangible fashion show in Hubei Province, 17 sets of Zaoyang coarse cloth intangible fashion made by Baibutang were amazed by the audience with their unique production technology, ingenious integration of intangible elements and modern clothing.

　　Zaoyang coarse cloth is a textile, and cotton is the source of its creation. This year, Baibutang also cooperated with Hubei Academy of Agricultural Sciences to jointly develop and cultivate colored cotton and further innovate products. At present, there are 26.7 mu of colored cotton planted in the experimental field of Hubei Academy of Agricultural Sciences. Next year, Baibutang plans to put colored cotton planting projects into suitable villages to contribute to the development of rural economy.

　　The film "Tian Gong Su Zuo" shows its charm.

　　Light and shadow tell a thousand years of ingenuity

　　Our reporter Wang Weijian

　　Picking up carving knives and scissors in both hands, after dozens of processes such as kneading, cooking, coloring and modeling, everything in the camera, a vivid cartoon image snack appears on the dishes … … The 71-year-old Dong Jiarong is the "top card" of the Soviet-style shipping point, and once won the gold medal in international competitions on behalf of China. However, after an illness more than ten years ago, his hands have been shaking badly and he has never done a boat trip again. Four years ago, Dong Jiarong was invited to participate in the filming of the first documentary film "Tiangong Su Zuo" with the theme of non-legacy in Suzhou, Jiangsu Province. He was so happy that he stayed up all night and picked up his old skills again.

　　Li Hong, director of the Intangible Heritage Department of Suzhou Culture, Radio, Film and Tourism Bureau, introduced that in 2014, Suzhou joined the UNESCO "Creative City Network" and became the global "handicraft and folk art capital". Taking this as an opportunity, Suzhou Municipal Bureau of Culture and Tourism cooperated with Suzhou Radio and Television General Station to launch the documentary film "Tiangong Su Zuo". In 90 minutes, nine Suzhou traditional crafts, such as Su-style boat spots, Song Jin, nuclear carvings, lanterns, and Xiangshan traditional architecture, have appeared one after another, and 12 Su Zuo inheritors with stunts have turned into "protagonists" on the screen, showing a beautiful feast. Since its premiere, Tiangong Su Zuo has been shown in 56 cities across the country in turn. Soon, the film will also land in mainstream cinemas in new york, Toronto, Sydney and other places around the world.

　　What kind of sparks will ancient intangible art collide with modern light and shadow technology?

　　For the non-genetic inheritors in the film, this is not only an unforgettable "electric shock" trip, but also strengthens their confidence in the development and inheritance of the intangible heritage.

　　Excellent Jiangsu and Zhejiang silk is used, gardens and pavilions are tied, and Wumen ink and painting is danqing. Rows of Su lanterns with rich history and culture dress up the night in colorful colors. In focus plane, Wang Xiaowen, a national intangible heritage inheritor of Suzhou Lantern Festival, is immersed in the colorful world he created. But outside the screen, this intangible skill that has been passed down for thousands of years was once endangered. Wang Xiaowen recalled that with the rapid development of economy, Suzhou lanterns gradually faded out of people’s sight. Before that, only a few people in Suzhou could produce high-level lanterns. However, with the release of "Tian Gong Su Zuo", many young people came here, and nearby primary and secondary schools also invited him to give lectures. Today, Wang Xiaowen has 28 regular lectures every week.

　　For the audience, "Tian Gong Su Zuo" is like a non-legacy exhibition hall, telling a warm and moving Suzhou non-legacy story among the oars and lights. "I want to go to Suzhou to learn crafts after reading it. Movies can make more young people love it." An audience member said excitedly.

　　Innovative exhibition mode of Tianjin Heping District Intangible Heritage Exhibition Hall

　　The ancient charm of science and technology is not a legacy.

　　Our reporter Wu Shaomin

　　The founding time is dotted with axes and places, and the intangible items are marked in detail one by one … … On the second floor of the West Zone, North Building, Minyuan Square, Fifth Avenue, Tianjin, the Heping District Intangible Cultural Heritage Exhibition Hall is quiet and quiet, creating an intangible world with great movement.

　　"These three bronze statues are the three founders of the national intangible cultural heritage project: Mr. Gao Guiyou, the founder of Goubuli Steamed Bun making skill, Mr. Pang Henian, the founder of Laomeihua handmade shoemaking skill, and Mr. Wang Dianying &hellip, the inheritor of China classical tricks; …” Entering the exhibition hall, the profound non-legacy culture is coming. Liu Qian, the person in charge of the Heping District Intangible Cultural Heritage Exhibition Hall, introduced that the exhibition hall is divided into four parts: Jinwei, Medical Way, Baixi and Gongqiao, covering all the intangible cultural heritage projects in Heping District.

　　"The rolling film at the window is made up of more than 100 real historical photos. Being in the carriage, I feel the intangible heritage of traveling through time and space … …” Accompanied by the ringing of the bell, I boarded the "non-legacy" tram with a history of 100 years, with the display screen as the window glass. The bustling and noisy street scenes of old Tianjin in the 1920 s flashed, and many old Tianjin brands such as department stores and Quanyechang were presented in front of me, with a long aftertaste of Tianjin shouts.

　　In the non-legacy "interactive area" of the exhibition hall, the audience can experience the non-legacy charm by means of AR (augmented reality), VR (virtual reality) and other technical means. "The exhibition uses the combination of panels, physical exhibitions, video playback, live demonstration embedding and modern scientific and technological means to make the audience feel the beauty of the legacy." Li Kang, member of the Standing Committee of Heping District Committee and Minister of Propaganda Department, said that everyone is a practitioner and inheritor of the legacy, and the serious face of the audience will make the legacy shine again.

　　Non-genetic inheritance is an important link. The exhibition hall holds non-genetic inheritance activities from time to time, and children will sit around and listen to the inheritors of non-legacy projects such as Liu’s carving and inlaying craft bird cage, northern printing and carving skills, and hand-made live ball glass bottle making skills, telling non-legacy stories. Select some non-legacy projects, encourage college students to combine non-legacy elements and the trend of the times to innovate boldly and bring the products of the competition to the market; Students have one-on-one in-depth exchange and study with the inheritors of non-legacy projects to stimulate whimsy … … Intangible cultural heritage has a new vitality in its inheritance.

　　"In the near future, we will carry out ‘ People’s non-legacy and people’s sharing ’ Cultivate a series of activities such as small inheritors, such as inviting Zong Zhaorui, a representative project of municipal intangible heritage, to make line incense and teach intangible skills on the spot, so that everyone can close the distance with intangible heritage. " Liu Wei said.

　　Coordinator of this edition: Yang Xuan, Zhi Chunli

　　Layout design: Zhang Fangman

Author/Mingyue Fan

In addition to the 34 A-share listed film and television companies, there is also a major explosion force in the TV drama market that cannot be ignored-well-known film and television companies such as Noon Sunshine, Ning Meng, Xinli and Yaoke. According to the public information, the new drama observation briefly summarizes the TV drama project reserves of the above four well-known film and television companies in 2021.　

　

　 Noon sunshine:

Antique zero reserve

The sequel of "Tree of Life" and "Ode to Joy" is under development.

　

Among the four well-known film and television companies, Noon Sunshine is the only company that has no reserve for costume projects. Five dramas to be broadcast, Children of the Qiao Family, Big Rivers 2, Falling Flowers, Minning Town, We Are Young, and six projects under development, The Tree of Life, My Superhero, In the Name of My Son, Don’t Die, Overseas Group, Ode to Joy 3, 4 and 5, are all contemporary themes.

Of the five plays to be broadcast, all the other plays have been finished except "Children of the Qiao Family" which is being filmed. "Dajiang Dahe 2" is expected to be broadcast by the network at the end of December; "Falling Flowers Season" has appeared in the investment promotion conference of satellite TV platform and online video platform, and the specific schedule is to be determined; "Suining Town" customized a poverty alleviation drama for CCTV, with a total of 16 episodes, which was completed on October 25; The military emotional drama "We Are Young" was completed in May 2018 and is currently in a backlog.

Among the six development projects, "Tree of Life" is the theme of getting rid of poverty and telling the story of Han girls helping Tibetan villagers in Qinghai get rich and run towards a well-off society. It is currently in the stage of script creation; "My superhero" Ode to Joy 3, 4, 5 "has appeared in Tencent Video’s 2021 TV drama list, but it is not turned on at present; "In the Name of a Child" is the first family education TV series in Noon Sunshine, which was put on record in 2019. If it is successfully started, it will compete with the drama series with the same theme as Xiao Shede by Ning Meng, The Starting Line by Mango TV and Shunyi Mom by Yao Ke. The two ancient projects "No Past Life" and "Overseas Group" started earlier, and there is no further progress at present.

　

　 　Ning Meng:

Test the water short play, only two new plays will be launched in 2020.

　

At present, Ning Meng has a total of 22 TV drama projects, including two started dramas, The Dust of the Eternal Ages and Little Shede, and 20 projects under development, The Son of Heaven, It’s raining, Xiaomin’s home, Eating Raw, Little Joy 2, Twenty Don’t Confuse 2, Forty Just Right, Love, Great Women and You.

In June 2019, Ning Meng officially announced three short drama development plans. Now, after one and a half years, the three short drama films have not been "cashed". This year, in the newly released TV drama list of Ning Meng, short plays are still not absent. There are no looking for a marriage here, the first prize, the picture book of hunting crimes, the angel of requiem and raw swallowing, and other five projects are short dramas.

This year, the TV series released by Ning Meng is luxurious, but only two dramas, The Dust of the Eternal Age and Little Shede, were launched during the year, and high-profile projects such as Little Joy 2 and Forty Exactly Right, are still in the preparatory stage. The female drama Xiao Min Jia, with Huang Lei as the chief screenwriter and starring, is tentatively scheduled to start in January 2021 and is expected to be finished in May 2020.

　

　 Xinli:

Costume projects account for more than 40%

"I’m a big star" and "The Infiltrator" are under development

　

Among the four well-known film and television companies, Xinli has the richest reserve of ancient costume projects. Among the 22 reserve projects, there are 9 ancient costume projects, including my wife’s son-in-law, green hairpin trip, fierce knife trip in the snow, year-old violet, Tianlong Babu, Douluo Mainland, and Yunian Qing 2, which are under preparation, accounting for more than 40% of the total. The rest of the reserve items include last romance, Even though there is a flurry, Rebels, Longing for Life, I’m a Big Star, The Infiltrator, The World, The Blue Sky in Cloth, The Sun is with me, Welcome to Marry, I Love Your Home, The Battle of the Roses, Please call me the director.

　

2020 is the last year of the three-year gambling agreement between Xinli and Wenwen. In 2018 and 2019, Xinli failed to fulfill its commitment to gambling. In 2020, Xinli will face 900 million gambling pressures.

　

This year, three TV series "He doesn’t really love you that much" and "Your Highness the Wolf" produced by Xinli were broadcast in The Duke Of Mount Deer, and five TV series, such as My Husband, Fierce Knife in the Snow, last romance, Even though there is a flurry, and Rebel, were launched. If the income is confirmed successfully, the above plays will contribute to Xinli’s important performance income in 2020.

Among the 10 repertoires to be broadcast, except Desire for Life, which was dragged down by artists’ negative news, the remaining 9 repertoires have been claimed by broadcast platforms, and the distribution pressure is relatively small.

Among the 12 development projects, Sun with Me, Welcome to Marry Again and Please Call me Director are the themes of urban marriage and love that Xinli is good at. The Battle of the Roses and I Love Your Home are hot new female themes at present, among which I Love Your Home tells the inspirational story of three female nannies with a novel perspective. Two sequels, Yunian Qing 2 and My First Half Life 2, have published official posters, and there is no clear information about other sequels such as Douluo Mainland 2, Fighting the Sky 2 and Elite Lawyer 2.

　

　 　Yaoke:

League of Legends has been developed for three seasons in five years.

The drama "phoenix in nine days" and "unparalleled" are under preparation.

　

At present, Yaoke has a total of 19 TV drama projects, including 6 started dramas, Glory of Special War, People’s Property, Strange Lovers, Heart Change, Bathing Fire, Unknown Detective, and 13 projects under development, League of Legends, Phoenix in Nine Days, One like You, Love Like Stars, Life Auction, Shunyi Mom, Step Forward.

The drama version of League of Legends is another e-sports theme play by Yaoke after Crossing the Fire Line. It is jointly produced by Yaoke Media and Tengjing Sports, and it is tentatively planned to be developed for three seasons in five years.

　

"Phoenix in Nine Days" and "Warriors" are all costume modification projects, and "Phoenix in Nine Days" held a launching ceremony in August 2019, but it was not put into real shooting; "Wushuang" was filed through key online dramas in September 2019, but it has not been turned on yet.

The Awakening of Heroes in the Legend of the Knife Tower, The First Take-off, Plum Blossoms and Hearts, The Last Sacrifice and Perfect Life were released earlier, and there is no further progress at present.

　

Among the plays to be broadcast, Strange Lovers, Bathing in Fire and Changing Hearts are all dramas that started after the epidemic. People’s Property, Glory of Special War and Unknown Detective are all key projects of Yaoke, and they are all in the state of distribution at present.

In Chinese lunar calendar, a year is divided into four seasons, and each season is divided into three parts: Meng, Zhong and Ji, so Mid-Autumn Festival is also called Mid-Autumn Festival. There are many nicknames for Mid-Autumn Festival: it is called "August Festival" and "August and a half" because it falls on August 15th; Because the main activities of Mid-Autumn Festival are all around the "moon", it is also commonly known as "Moon Festival" and "Moon Festival". The full moon in Mid-Autumn Festival symbolizes reunion, so it is also called "Reunion Festival".

The ancients attached importance to the Mid-Autumn Festival, second only to the Spring Festival, and even to some extent, it was far better than the Spring Festival. Every Mid-Autumn Festival night, looking up at the moon in the sky, I suddenly feel infinite reverie and lovesickness. Welcome the cold, enjoy the Yue Bai, enjoy the moon, play with the moon, eat moon cakes and watch the lanterns burning … The sense of ceremony of the ancients celebrating the Mid-Autumn Festival is also reflected in this grand and expectant mood.

Mid-Autumn Festival originated from "Moon Festival"

The origin of Mid-Autumn Festival can be traced back to the ancient "Moon Festival", that is, the 15th day of the eighth lunar month. According to historical records, as early as the Zhou Dynasty, people began to worship the moon in autumn. At that time, the moon was regarded as a symbol of harvest, and people would sacrifice to the moon after the autumn harvest to express their gratitude for the harvest and pray for the future. Later, with the passage of time, this ritual activity gradually evolved into a folk custom, which was the later Mid-Autumn Festival.

The Mid-Autumn Festival became an officially recognized national festival, about in the Tang Dynasty. The custom of appreciating the moon in the Mid-Autumn Festival flourished in Chang ‘an area in the Tang Dynasty, and many poets have poems about appreciating the moon in their masterpieces. For example, in the Tang Dynasty, Liu Yuxi wrote in "Playing with the Moon on the Night of August 15th" that "the stars make the light shine, and the wind reveals the crystal. Can change the world, but it is Yujing ",which will wash out people’s love of playing with the moon." In Wang Jian’s "Looking at the Moon at Fifteen Nights and Sending it to Du Langzhong", he said: "In the atrium, there are crows in Bai Shu, while in Coody Leng, there are silent and wet osmanthus flowers. Tonight, the moon is full of hope. I wonder who Qiu Si will fall into? " Among them, the phrase "Everyone looks forward to the moon tonight" points out that enjoying the moon on August 15th is what everyone does, and it has become a popular custom. It can be said that the Mid-Autumn Festival custom in the Tang Dynasty is that relatives and friends get together to enjoy the moon, the central content of which is to enjoy the moon, and the reunion is caused by enjoying the moon. According to the available data, the early years of the Tang Dynasty were mainly middle and upper class people, such as officials and literati, who gathered with their families or friends on the night of August 15th to enjoy the moon, compose poems, drink and chat. In the mid-Tang Dynasty, ordinary people’s families began to have the custom of gathering, feasting and offering sacrifices to the moon.

In the Tang Dynasty, when playing with the moon, the son of heaven and the courtiers could play in the palace. The Legacy of Kaiyuan Tianbao records: "Su Xian and Li Shan exchanged letters and letters, and Xuanzong cared deeply for them. On the night of August 15, I stayed in the forbidden city, and all the scholars played with the moon and prepared a feast of wine. When the sky is cloudless and the moonlight is like day, Su Yue said, It’s clear and lovely. Why use lamps and candles? So I removed it. " In order to play with the moon, Emperor Xuanzong of the Tang Dynasty and his ministers can remove the lighting candles at night.

Poets and local officials can play in courtyards, hills, rivers and temples at will. Bai Juyi’s "Inviting friends to play with the moon on the night of August 15th in Huayang View" is about gathering with friends to play with the moon in the Mid-Autumn Festival, which makes people feel full of friendship when reading: "The moon is bright in autumn, so how about inviting people to enjoy it? On the autumn altar in Huayang Cave, there are many clear lights here tonight. "

In the Tang Dynasty, "Woman Yue Bai" was popular after enjoying the moon. In the poem "Worship the New Moon" by Li Duan, a poet in the Tang Dynasty, "When you open the curtain to see the new moon, you will worship at the next level. Whispering people don’t smell it, and the north wind blows nepotism ",which describes this scene. On the night of Mid-Autumn Festival, women will set up red dates, plums, grapes and other sacrifices on the incense table, light red candles and worship the moon, praying that it looks like Chang ‘e and is as round as a clean moon.

Playing with the moon all night in Song Dynasty

On the basis of the popularity of enjoying the moon in the Tang Dynasty, the Mid-Autumn Festival in the Song Dynasty was more lively. The imperial court also attached importance to this festival and gave public officials a day off.

Father Meng recorded in "Tokyo Dream of China": "Before the Mid-Autumn Festival, all the shops sold new wine, re-knotted the flower heads of colorful buildings on the facade, and painted drunken flowers. People in the city competed for drinks, and by noon, there was no wine in every family, so they dragged down the hope. " Before the Mid-Autumn Festival, it has entered a reasonable wine appointment period. Shopkeepers are also rude. They have erected poles with flower heads carved and hung banners with the words "Drunken Immortal" to attract customers. Of course, the effect is remarkable. In the past few days, people who eat wine have poured in, often "at noon", and every family has no wine to sell. Senator Meng also wrote: "It’s time for the crab to come out. Pomegranate, cuttlefish, pear, jujube, chestnut, grape and orange are all on the market." Song people still love life after all. After drinking, just after the hour, they took the hairy crabs that had just been delivered from the street and took a few bags of grapes, oranges or other fresh fruits home for a nap.

A few days later, the Mid-Autumn Festival finally arrived. On this day, restaurants and stores will rearrange themselves and sell newly opened good wine. Before the fruit shop, it is full of fresh and beautiful fruits. The night market is noisy, people go to the balcony to watch the moon, and some rich families will watch the moon on their own pavilions, and at the same time put on food and arrange family banquets. Even people who live in mean alleys will pawn their clothes to buy wine to celebrate festivals.

Senator Meng went on to write: "On Mid-Autumn Night, your family decorated the terrace, and the people competed for the restaurant to play with the moon." In the Song Dynasty, besides inheriting the custom of Yue Bai in the Mid-Autumn Festival for women in the Tang Dynasty, there was a more chic activity "playing with the moon". At that time, the house of dignitaries built and decorated a high platform and a low pavilion, and held a "Mid-Autumn Festival party". All kinds of musical instruments were played together, and the sound was full of noise, and you could hear the music in the distance until late at night. Ordinary people will go to restaurants, take seats, drink and enjoy the moon. This night, the night market is noisy, "children in the night play." As for the night market, as for familiarity. "

During the Southern Song Dynasty, "playing with the moon" was even more lively. Wu Zimu described the Mid-Autumn Night in Lin ‘an in detail in "Dream of Liang Lu": "On this occasion, the golden wind is cool, the jade dew is cool, the osmanthus fragrance is floating, and the silver toad is full. Prince Sun’s son, a rich man with a huge room, never fails to climb a dangerous building, play with the moon on the porch, or open a wide pavilion, have a feast, and sing loudly with his harps and harps, so as to predict the joy of the evening. As far as the home of paving seats is concerned, I also boarded a small platform, arranged family dinners, and organized children to reward the festive season … This night, I bought and sold in the streets until the five drums, and I played with tourists on the moon, dancing in the city until the night. "

It can be seen that the Mid-Autumn Festival in the Song Dynasty was extremely lively, and the most remarkable feature was to celebrate all night. On this day, people would not turn off the lights and go to sleep because it was getting late.

Many people are familiar with Su Dongpo’s poem "When will there be a bright moon?", and its opening preface is "Bingchen Mid-Autumn Festival, drinking too much, getting drunk, making this article and being pregnant." From this point of view, the word Su Shi must be the result of his drinking all night. And in this word, "I wish people a long time, and a thousand miles together" is a reflection of the past and the present, bearing the common philosophical thoughts and expectations of people.

Crystal-arranging tray for fruit moon cakes

"Cake" is the general name of a kind of pasta in ancient times. For example, noodles are called soup cakes and cakes, steamed bread is called steamed cakes and cooking cakes, dumplings are called boiled cakes, and cold noodles are called boiled cakes. It is inevitable that the ancients used pasta to worship the moon with cakes. For example, during the Mid-Autumn Festival in the Song Dynasty, the court ate palace cakes, cookies and moon cakes.

Legend has it that the origin of moon cakes originated from the conquest of the Turks in the Tang Dynasty, and a businessman from the western regions congratulated him on making Hu cakes. Li Shimin, Emperor Taizong, sighed with emotion that "Hu cakes should be invited to toads". There is no basis for this statement. Hu Bing has entered the Central Plains in the Han Dynasty, which is similar to today’s Naan. Li Shimin just said that Hu Bing’s circle is similar to the moon, and it has nothing to do with moon cakes. In fact, the term "moon cake" didn’t appear until the Southern Song Dynasty, but it was sold in the city, which had nothing to do with the Mid-Autumn Festival, and it was probably steamed, which was recorded in the book Old Wulin in the Southern Song Dynasty. Steamed moon cakes are still circulating in Shandong, Henan and other places. There is also a word "moon cake" in the book "Dream of Liang Lu", but in the Mid-Autumn Festival at that time, moon cakes were not a necessity, and many people would not deliberately prepare moon cakes as a meal that night. Compared with moon cakes, drinking is more common. Because under the conditions at that time, it was still difficult for ordinary people to make moon cakes. On the one hand, the process of making moon cakes was more complicated and it was difficult for ordinary people to do it. Secondly, the materials needed for moon cakes are not complete for every household. Drinks are different. Most villages and towns and neighborhoods have wine shops, and the Mid-Autumn Festival is the time when new wines are on the market. On the night of Mid-Autumn Festival, the rich sing songs about wine, and the poor also buy clothes and wine, "reluctantly welcome the joy and refuse to waste it."

Don’t eat moon cakes, so what did people eat at that time? According to historical records, in the Tang and Song Dynasties, you should drink "playing with the moon soup" no matter the mid-autumn night in the north and south.

In the Northern Song Dynasty, Tao Gu recorded in his notes "Qing Yi Lu" that there was a restaurant opened by a chef named Zhang Shoumei next to Luhemenwai Avenue, which was very good at doing business, creatively serving on demand, and making corresponding special foods for sale according to seasons and festivals, which was extremely popular. For example, "Yuanyang Fan Yuan Day … Children’s Day on June 1 … Green Pouches Fu Day … Playing Moon Soup Mid-Autumn Festival …" is the "Yuanyang Fan" which looks like super jar meat on the first day of the first month, the "Children’s Day" on the seventh day of the first month, the "Green Pouches" on the dog days of June, and the Mid-Autumn Festival on August 15th. It is recorded in the Record of the Chef: "Go on a diet in the middle of the year and play with the moon soup in the Mid-Autumn Festival."

There is no explicit historical data on the specific method of playing with moon soup, which leaves unlimited room for future generations to daydream. Some scholars speculate that it may be egg custard or something like that, or it may be shaped like a moon, or at least it is an egg cake poured with juice. Some people also think that a "Xi Shi plays with the moon" in Jiangsu cuisine today is inspired by the story of Xi Shi enjoying the moon in Lingyan Mountain, Suzhou, and may still have the taste of playing with the moon soup. This dish is mainly made of meatballs made of chicken and fish, with ham slices, bamboo shoots, mushrooms, small vegetables and chicken soup as auxiliary materials. The soup is clear and the meatballs are flawless, which makes diners easily associate with the bright moon in the sky. However, cooking experts later found that there was still a market for playing moon soup in Lingnan area in the late Qing Dynasty. Remove the core of lotus seeds and add longan, cook with clear water, take out, add the blended lotus root powder into the pot, gently stir to form a thick soup, pour back the lotus seeds longan, and simmer slowly with a little fire. Experts speculate that this may be the time to play with the moon soup.

Ciba, pomegranate, glutinous rice lotus root, taro, etc. were also standing items in the Mid-Autumn Festival at that time, paying attention to the happiness and sweetness of the full moon night, which was quite pleasant.

During the Yuan Dynasty, a large number of Central Asian culinary technicians entered the Central Plains, which made the technology of shortening and pulp extraction more mature and popularized, thus promoting the development of moon cakes. Eating moon cakes in the Mid-Autumn Festival has become more exquisite in the Yuan Dynasty. At the end of the Yuan Dynasty, Tao Zongyi recorded the Mid-Autumn Festival in Zonghaishan, Yuan Wu (AD 1309) in yuanshi county Yeting Ji. On the night of Mid-Autumn Festival, Yuan Wuzong and his concubines went boating in the royal Taiye Pool and held a banquet for fun. The food served was quite rich, such as "recommend the breast of ducking wings, the catfish in the autumn wind, the wine of Yuan frost, and the lamb of Kazuki Watanabe musician". The "Kazuki Watanabe musician lamb" here means "eating moon cakes".

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